It wasn’t sludge (see yesterday’s entry), but it did get worse. The problem was intermittent and untraceable even with cable company equipment so sophisticated it might be on loan from the CIA. Now, however, after a pair of two-hour visits from techs, long, baffling phone calls with two other techs and, finally, the purchase and installation of a new piece of equipment, the Rifftides World Headquarters web connection seems alive and stable. That’s what I thought 24 hours ago. After a glass of something red and a good
night’s sleep, I’ll try to post a catchup piece on The Seasons Fall Festival. Hope springs eternal.





The nonagenarian pianist presented de Barros with every biographer’s hope, unrestricted access to his subject’s personal papers and nearly unrestricted access to her private thoughts. He made the most of it, turning exhaustive research and hundreds of hours of interviews into a true story with the sweep of a novel. From the early discovery of McPartland’s musical gift through her wartime service, her ecstatic and stormy marriage to Jimmy McPartland, her growth as a pianist, her deep affair with Joe Morello, and the radio show that made her a national figure, she has had a fascinating life. It makes a splendid read.
Mulligan’s Concert Jazz Band had three fewer musicians than most big jazz outfits. Its size permitted precision, flexibility and subtlety, yet the band had the power of sprung steel. In this concert from a half century ago, the CJB is as fresh as yesterday. Arrangements by Mulligan, Bob Brookmeyer, Al Cohn and Johnny Mandel set standards to which big band writers still aspire. Bassist Buddy Clark and drummer Mel Lewis inspired Mulligan, Brookmeyer, Conte Candoli, Gene Quill and Zoot Sims to some of the best soloing of their careers. This beautifully produced issue of the complete concert is a basic repertoire item.
… “of something red”??? Was it syrup, blood, or tomato juice?
If it’s blood, you’re in very good company, Doug. Ever heard of the bebop-vampire?
Hehehe! — Enjoy one of the most bizarre jazz covers: HERE