The Rifftides staff is pleased to announce a new batch of the recommendations known as Doug's Picks. Please proceed to the center column, scroll down and, there they are. … [Read more...]
CD: David Weiss
David Weiss & Point Of Departure, Snuck In (Sunnyside). Trumpeter Weiss's heart may be in the 1960s, but he and his young band operate very much in the present. His solo style is largely a bequest from the late Freddie Hubbard, with whom he worked closely as a player and arranger. His repertoire here consists of pieces by Herbie Hancock, Andrew Hill and Tony Williams, plus two from the neglected Detroit trumpeter Charles Moore. Weiss, tenor saxophonist J.D. Allan, guitarist Nir Felder, bassist … [Read more...]
CD: Esperanza Spalding
Esperanza Spalding, Chamber Music Society (Heads Up). The contrarian impulse is to briskly walk away from hype about the latest sensation du jour, but critical duty says, listen anyway. In Spalding's case, I'm glad I listened. She is an accomplished bassist with depth of tone, penetrating timbre and good note choices. Her singing has clarity and lightness. She is consistently in tune. Spalding writes and arranges well. With a small string ensemble, piano, drums and percussion, she interprets … [Read more...]
CD: Joe Sardaro
Joe Sardaro, Lost In The Stars (Catch My Drift). Last year, I mentioned in a review of Joe Sardaro's Protégé that the singer's 1986 vinyl album Lost In The Stars had never been reissued. Now, happily, it is on CD. Sardaro recruited high-level backing for his first recording; drummer Shelly Manne, bassist Monte Budwig, guitarist Al Viola, saxophonist/flutist Sam Most and pianist John Knapp. To quote my 1987 Jazz Times review of the LP, "A light baritone without spectacular range or notable … [Read more...]
DVD: Jimmy And Percy Heath
Jimmy And Percy Heath, Jazz Master Class (Artists House). In 2004, the year before bassist Percy Heath died, he and his saxophonist/composer brother Jimmy appeared in John Snyder's master class series at New York University. A pair of DVDs captures them in several stunning duets, critiquing student performances of Jimmy's tunes and being interviewed by author Gary Giddins. We also see pre- and post-master class conversations with the students, transcriptions of solos rolling across the screen as … [Read more...]
Book: Harvey Pekar
Harvey Pekar, American Splendor: The Life And Times Of Harvey Pekar (Ballantine Books). Pekar, who died this month, mesmerized readers by transforming his ordinary life into comics for adults. Pekar wrote the stories. R. Crumb and a crew of other artists illustrated them to Pekar's specifications, in living black and white. His work led to the movie of the same name. I'm not sure that I'd go as far as some critics who compare him to Chekhov, but I'm not sure that I wouldn't. If Pekar's gritty … [Read more...]





The nonagenarian pianist presented de Barros with every biographer’s hope, unrestricted access to his subject’s personal papers and nearly unrestricted access to her private thoughts. He made the most of it, turning exhaustive research and hundreds of hours of interviews into a true story with the sweep of a novel. From the early discovery of McPartland’s musical gift through her wartime service, her ecstatic and stormy marriage to Jimmy McPartland, her growth as a pianist, her deep affair with Joe Morello, and the radio show that made her a national figure, she has had a fascinating life. It makes a splendid read.
Mulligan’s Concert Jazz Band had three fewer musicians than most big jazz outfits. Its size permitted precision, flexibility and subtlety, yet the band had the power of sprung steel. In this concert from a half century ago, the CJB is as fresh as yesterday. Arrangements by Mulligan, Bob Brookmeyer, Al Cohn and Johnny Mandel set standards to which big band writers still aspire. Bassist Buddy Clark and drummer Mel Lewis inspired Mulligan, Brookmeyer, Conte Candoli, Gene Quill and Zoot Sims to some of the best soloing of their careers. This beautifully produced issue of the complete concert is a basic repertoire item.
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David on Aperturistic Trio At Tsaritsino
What an exquisite recaptured audience shot at 0:59, perfectly illustrating the sentence above the clip. A remarkable amount of rhythmic tension develops beginning with the...Jim Eigo on Happy Fatha’s Day
Had the good fortune to see Fatha Hines in 1973 at the New School in NYC. There's a nice live recording of this concert too.Dick Unsworth on Happy Fatha’s Day
Haven't heard "Fatha" Hines and bassist Pedersen for ages. Thanks for the treat.Terence Smith on Happy Fatha’s Day
Earl Hines made every day Fatha's Day every time he played. Thanks to Doug Ramsey for this inspired choice of an inspired "Memories of You." ...Brew on Happy Fatha’s Day
Thanks for posting this gem. The Earl's rhythmic punch is always stunning. He could easily switch between smoothness and roughness like no one else. Like...