Tributes to Gene Lees continue, for good reason. A line from Longfellow applies: "Dead he is not, but departed - for the artist never dies." Terry Teachout remembers Gene in today's Wall Street Journal: Had Gene been born sooner, he would surely have been as famous and successful as the top songwriters of the '30s and '40s. But he came along after the cultural tide of jazz had started to ebb, and by the time his songs were making their mark, rock 'n' roll was in the process of replacing jazz as … [Read more...]
Correspondence: A Book Deal
Following Gene Lees' passing, the Canadian tenor saxophonist, pianist, composer, arranger and educator Phil Dwyer sent a story about how he acquired one of Gene's books. In the spring of 1990, I was playing in New York, at a club call Visione's (in the Village) with David Friesen and Alan Jones. It was the middle of a long (seven weeks) tour. It would ultimately be the last tour for the group, which had formed in 1987. For me, the New York stop was a highlight not only because it was New York, … [Read more...]





The nonagenarian pianist presented de Barros with every biographer’s hope, unrestricted access to his subject’s personal papers and nearly unrestricted access to her private thoughts. He made the most of it, turning exhaustive research and hundreds of hours of interviews into a true story with the sweep of a novel. From the early discovery of McPartland’s musical gift through her wartime service, her ecstatic and stormy marriage to Jimmy McPartland, her growth as a pianist, her deep affair with Joe Morello, and the radio show that made her a national figure, she has had a fascinating life. It makes a splendid read.
Mulligan’s Concert Jazz Band had three fewer musicians than most big jazz outfits. Its size permitted precision, flexibility and subtlety, yet the band had the power of sprung steel. In this concert from a half century ago, the CJB is as fresh as yesterday. Arrangements by Mulligan, Bob Brookmeyer, Al Cohn and Johnny Mandel set standards to which big band writers still aspire. Bassist Buddy Clark and drummer Mel Lewis inspired Mulligan, Brookmeyer, Conte Candoli, Gene Quill and Zoot Sims to some of the best soloing of their careers. This beautifully produced issue of the complete concert is a basic repertoire item.
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