New York Art Quartet, Old Stuff (Cuneiform). As brash, iconoclastic and good-natured as the day it was born, the NYAQ comes roaring out of 1965. Trombonist Roswell Rudd, alto saxophonist John Tchicai, bassist Finn von Eyben and drummer Louis Moholo affirm that if free jazz is going to jettison formal guidelines, its players had better have musicianship, personality and the gift of listening. During its brief existence, the New York Art Quartet met all requirements. Just to prove that they were aware of where they came from, they included a glorious reading of the melody of Monk’s “Pannonica.”







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Brew on Recent Listening: The Tierney Sutton Band
Tierney Sutton is one of the most talented jazz vocalists on the planet; a true musician's singer with good taste. It's very brave of her,...Carlita Kaunda on Meredith d’Ambrosio: A Plug—And A Protest
Yes, and likewise those cowards who use the internet to make foolish and erroneous statements at various blogsites but are too cowardly to allow comments...Brew on Meredith d’Ambrosio: A Plug—And A Protest
Honestly, I don't give a damn about that kind of "review", written by anonymous cowards who wouldn't be able to utter their unfair criticism face-to-face...Doug Moody on Meredith d’Ambrosio: A Plug—And A Protest
Not sure what recording Lamont Cranston could have been listening to but to my ears "By Myself" is simply superb. I've been a fan...Jim Brown on The Oak Room Farewell
History continues to repeat itself, this time in the form of middle management insensitivity. Something like twenty years ago, a local acoustic consulting firm...