For 15 years before he moved to the US from his native Brazil in 1993, Jovino Santos Neto was the pianist and arranger for Hermeto Pascoal, whom Miles Davis is said to have called, “the most impressive musician in the world.” Santos Neto lives and teaches in Seattle and travels to Brazil frequently, keeping up with developments in music there and maintaining his tie to Pascoal. His most recent trip was to join his mentor at a music camp in Ubatuba, on the coast between São Paolo and Rio de Janeiro. They were on the faculty teaching 25 or so professional musicians and advanced students, most of them from the United States. The participants pay as much as $2,000 tuition to improve their Brazilian music skills in lush surroundings.
There are more photos from Ubatuba on Santos Neto’s Facebook page.
Before his Brazilian trip, Santos Neto gave the world premiere of a new composition for piano and two flutes. His fellow performers at Symphony Space in New York were Tara Helen O’Connor (the taller of the two flutists) and Alice Jones. The piece is Agradecendo (Being Thankful).
To read a brief Rifftides review of Santos Neto’s most recent CD, go here.
The nonagenarian pianist presented de Barros with every biographer’s hope, unrestricted access to his subject’s personal papers and nearly unrestricted access to her private thoughts. He made the most of it, turning exhaustive research and hundreds of hours of interviews into a true story with the sweep of a novel. From the early discovery of McPartland’s musical gift through her wartime service, her ecstatic and stormy marriage to Jimmy McPartland, her growth as a pianist, her deep affair with Joe Morello, and the radio show that made her a national figure, she has had a fascinating life. It makes a splendid read.
Mulligan’s Concert Jazz Band had three fewer musicians than most big jazz outfits. Its size permitted precision, flexibility and subtlety, yet the band had the power of sprung steel. In this concert from a half century ago, the CJB is as fresh as yesterday. Arrangements by Mulligan, Bob Brookmeyer, Al Cohn and Johnny Mandel set standards to which big band writers still aspire. Bassist Buddy Clark and drummer Mel Lewis inspired Mulligan, Brookmeyer, Conte Candoli, Gene Quill and Zoot Sims to some of the best soloing of their careers. This beautifully produced issue of the complete concert is a basic repertoire item.
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