What three administrations in the White House have refused to do, the people have done. They have recognized Willis Conover, the Voice of America broadcaster who may have been America’s greatest cultural diplomat of the Cold War. 
He now has his own Facebook page, The Willis Conover Club. Will that lead to his getting a long overdue posthumous Presidential Medal of Freedom? Possibly not, but his page, up only a day or two, is rapidly accumulating fans. One of them typifies the many musicians who huddled around their shortwave radios behind the Iron Curtain and were inspired by the jazz that Conover sent around the world during some of the most perilous decades of the 20th century. This is his message on the Conover Facebook page.
Dear everybody, Please join the Willis Conover Club, He had done for Jazz as much as Art Blakey, Duke Ellington, Horace Silver, Count Basie, Charlie Parker, Miles Davis, Dizzy Gillespie etc….. Valery Ponomarev
Ponomarev went on to migrate to the United States from the Soviet Union, play trumpet with Art Blakey and become an international jazz artist whose career continues. For background about Willis and a personal Rifftides recollection, go here. To read the many other items about Conover in this blog, go to the archives, click on “edit,” then “find” and enter “Conover” in the search box.
Politicians and bureaucrats have downgraded the VOA to a remnant of its former power to objectively inform the world about the United States. Much of what Conover accomplished lingers in the good will he created toward his country with the music and dispassionate commmentary he disseminated for years by way of his Music USA program. In these daunting times, with the US so in need of good will, perhaps a swell of recognition from the bottom up will persuade the administration in Washington that cultural diplomacy is a potent tool.
If you are a Facebook member, enter Willis Conover in the Facebook search box. If you are not, you can go here to sign up.
The nonagenarian pianist presented de Barros with every biographer’s hope, unrestricted access to his subject’s personal papers and nearly unrestricted access to her private thoughts. He made the most of it, turning exhaustive research and hundreds of hours of interviews into a true story with the sweep of a novel. From the early discovery of McPartland’s musical gift through her wartime service, her ecstatic and stormy marriage to Jimmy McPartland, her growth as a pianist, her deep affair with Joe Morello, and the radio show that made her a national figure, she has had a fascinating life. It makes a splendid read.
Mulligan’s Concert Jazz Band had three fewer musicians than most big jazz outfits. Its size permitted precision, flexibility and subtlety, yet the band had the power of sprung steel. In this concert from a half century ago, the CJB is as fresh as yesterday. Arrangements by Mulligan, Bob Brookmeyer, Al Cohn and Johnny Mandel set standards to which big band writers still aspire. Bassist Buddy Clark and drummer Mel Lewis inspired Mulligan, Brookmeyer, Conte Candoli, Gene Quill and Zoot Sims to some of the best soloing of their careers. This beautifully produced issue of the complete concert is a basic repertoire item.
Willis Conover should be honored by his fellow citizens for his work in promoting America’s great indigenous art form — jazz.
Willis Conover is a legend and should be recognized for his great achievements. I fully support a Facebook page for him and hope that everyone will treat it with due respect.
Did Willis Conover have a weekly radio show called Jazz for Collectors or something like this?
To the best of my knowledge, no. He broadcast a program called The Voice of America Jazz Hour and another called Music USA. This is a link to the opening of The VOA Jazz Hour. To hear Willis discuss his career, go here.