A Make-Good

In April of 2009, a Rifftides review of a Daryl Sherman CD failed to mention the album’s lead song, “S’Mardis Gras.” It also perpetuated the tray card’s mis-naming of the bass player. Correcting those shortcomings is a fine excuse to again call attention to a CD that deserves more of it.

Daryl Sherman, New O’leans (Audiophile). Hurricane Katrina’s assault on the Crescent City inspired Sherman to record this collection of songs, but it goes beyond the post-disaster blues to touch on many of the aspects that endear New Orleans to the world. HaroldDaryl Sherman.jpg Arlen’s “Ill Wind” was an obvious choice. Louis Armstrong’s “Red Cap,” Irving Berlin’s “Shaking the Blues Away,” Henry Mancini’s “Moon River” and Dave Frishberg’s “Eloise” may seem unexpected companions in a New Orleans tribute until you hear how Sherman and her colleagues use them to evoke the city. Rhodes Spedale’s “S’Mardi Gras” needs no enhancement in that regard; it is a tour of Fat Tuesday locations and emotions. Guitarist James Chirillo and trumpeter Connie Jones are Sherman’s best-known sidemen. Reed man Tom Fischer and bassist Al Bernard, misidentified as “Menard,” are in the same league. Sherman plays piano on this drummerless date. The infectious good cheer in her voice will make you grin, except when she makes your eyes moist with “Mr Bojangles” and “Wendell’s Cat.”

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