Terry Teachout, Pops: A Life Of Louis Armstrong (Houghton Mifflin). Teachout is a consummate biographer. His books about H.L. Mencken and George Balanchine proved that. With Armstrong, he exceeds himself. Teachout combines the advantage of unique access to Armstrong’s archives with deep musical understanding and the gift of writing clearly about complex matters. He makes the reader understand that when the history is told and the analysis finished, there is just one real explanation of how a waif from the underside of life changed music forever: genius. Getting to that point, Teachout takes us on an unforgettable trip.





The nonagenarian pianist presented de Barros with every biographer’s hope, unrestricted access to his subject’s personal papers and nearly unrestricted access to her private thoughts. He made the most of it, turning exhaustive research and hundreds of hours of interviews into a true story with the sweep of a novel. From the early discovery of McPartland’s musical gift through her wartime service, her ecstatic and stormy marriage to Jimmy McPartland, her growth as a pianist, her deep affair with Joe Morello, and the radio show that made her a national figure, she has had a fascinating life. It makes a splendid read.
Mulligan’s Concert Jazz Band had three fewer musicians than most big jazz outfits. Its size permitted precision, flexibility and subtlety, yet the band had the power of sprung steel. In this concert from a half century ago, the CJB is as fresh as yesterday. Arrangements by Mulligan, Bob Brookmeyer, Al Cohn and Johnny Mandel set standards to which big band writers still aspire. Bassist Buddy Clark and drummer Mel Lewis inspired Mulligan, Brookmeyer, Conte Candoli, Gene Quill and Zoot Sims to some of the best soloing of their careers. This beautifully produced issue of the complete concert is a basic repertoire item.
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