This seems to be the week for unexpected videos to materialize. In the piece highlighted in the previous exhibit, Jack Berry joined me in lamenting that we could find no evidence of Vince Guaraldi on film or tape. Jazz writer Ken Dryden came to the rescue this morning with a reminder that Guaraldi’s trio backed Jimmy Witherspoon and Ben Webster in a 1962 episode of Ralph J. Gleason’s Jazz Casual program on PBS. Here are two excerpts recalling one of the great singer-instrumentalist partnerships. There is no Guaraldi solo, but superb accompaniment by him, drummer Colin Bailey and a bassist hidden behind Witherspoon who is most likely Monty Budwig.
The Witherspoon-Webster encounter is available on a DVD with another Jazz Casual show devoted to Jimmy Rushing.
And here is Guaraldi finally getting to solo. This is a latterday version of the piece that twenty years earlier had made Webster famous when he was with Duke Ellington.





The nonagenarian pianist presented de Barros with every biographer’s hope, unrestricted access to his subject’s personal papers and nearly unrestricted access to her private thoughts. He made the most of it, turning exhaustive research and hundreds of hours of interviews into a true story with the sweep of a novel. From the early discovery of McPartland’s musical gift through her wartime service, her ecstatic and stormy marriage to Jimmy McPartland, her growth as a pianist, her deep affair with Joe Morello, and the radio show that made her a national figure, she has had a fascinating life. It makes a splendid read.
Mulligan’s Concert Jazz Band had three fewer musicians than most big jazz outfits. Its size permitted precision, flexibility and subtlety, yet the band had the power of sprung steel. In this concert from a half century ago, the CJB is as fresh as yesterday. Arrangements by Mulligan, Bob Brookmeyer, Al Cohn and Johnny Mandel set standards to which big band writers still aspire. Bassist Buddy Clark and drummer Mel Lewis inspired Mulligan, Brookmeyer, Conte Candoli, Gene Quill and Zoot Sims to some of the best soloing of their careers. This beautifully produced issue of the complete concert is a basic repertoire item.
Solo on the second piece doesn’t quite convey the daemonic intensity of Vince in the tent but was nice. Nicer yet, the quest provided a reason for presenting Spoon and, oh my, oh my, Ben.
PS — posting that picture of me ca. 1957 was statutory rape. But it’s my daughter’s fault.
You can see the bass player quite well in the third video. That’s definitely Monty Budwig.
Do you know this Guaraldi solo on Youtube.
http://www.youtube.com/watch?v=vBtEfVEYA8U