It comes from Bill Kirchner, frequent Rifftides commenter, stalwart broadcaster and man of many parts, usually on reed instruments in the key of B-flat.
Recently, I taped my next one-hour show for the “Jazz From the Archives” series. Presented by the Institute of Jazz Studies, the series runs every Sunday on WBGO-FM (88.3).
Tenor saxophonist Jay Corre’s (né Lischin) career goes back to the 1940s with the Raymond Scott and Boyd Raeburn orchestras. But his time in the spotlight came in 1966-67, when he became the most frequently featured soloist in drummer Buddy Rich’s big band. Corre’s warm, Lester Young/Dexter Gordon-like style served him well in a variety of moods, from ballads to burners.
We’ll hear Corre on several albums with the Rich band, and on a recent trio recording.
The show will air this Sunday, November 22, from 11 p.m. to midnight, Eastern Standard Time.
NOTE: If you live outside the New York City metropolitan area, WBGO also broadcasts on the Internet at www.wbgo.org.





The nonagenarian pianist presented de Barros with every biographer’s hope, unrestricted access to his subject’s personal papers and nearly unrestricted access to her private thoughts. He made the most of it, turning exhaustive research and hundreds of hours of interviews into a true story with the sweep of a novel. From the early discovery of McPartland’s musical gift through her wartime service, her ecstatic and stormy marriage to Jimmy McPartland, her growth as a pianist, her deep affair with Joe Morello, and the radio show that made her a national figure, she has had a fascinating life. It makes a splendid read.
Mulligan’s Concert Jazz Band had three fewer musicians than most big jazz outfits. Its size permitted precision, flexibility and subtlety, yet the band had the power of sprung steel. In this concert from a half century ago, the CJB is as fresh as yesterday. Arrangements by Mulligan, Bob Brookmeyer, Al Cohn and Johnny Mandel set standards to which big band writers still aspire. Bassist Buddy Clark and drummer Mel Lewis inspired Mulligan, Brookmeyer, Conte Candoli, Gene Quill and Zoot Sims to some of the best soloing of their careers. This beautifully produced issue of the complete concert is a basic repertoire item.
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