A friend asked me to bicycle through the Yakima River canyon with him this morning. I said I had too much work to do, so he rode the 40 miles north to Ellensburg alone. When he got back, he sent a message, "The canyon is nice today," with evidence. Photo by Michael Grim … [Read more...]
Other Places: Stryker & Primack on Marcus Belgrave
Trumpeter Marcus Belgrave, admired within jazz circles but little known outside them, has received tangible recognition for his work as a player and a teacher. Belgrave left Ray Charles in the early 1960s ago to settle in Detroit. In today's Detroit Free Press, Mark Stryker reports on the award and on Belgrave's contribution to the city's cultural life. Stryker writes: For 46 years, Belgrave's world-class musicianship, charisma, swing and commitment to mentoring young musicians -- many of whom … [Read more...]
Other Places: Rollins On “Way Out West”
Marc Myers, the resourceful and indefatigable king of the verbatim interview, posts a JazzWax conversation with Sonny Rollins about one of Rollins's most unusual and successful albums. An excerpt: JW: How did you pick the songs? SR: All the songs I knew. By going to the movies so much as a child in the 30s, I was tuned in to Western popular music themes. Even today, people credit me for having an encyclopedic knowledge of what's called the American Songbook. Included in there are Western … [Read more...]





The nonagenarian pianist presented de Barros with every biographer’s hope, unrestricted access to his subject’s personal papers and nearly unrestricted access to her private thoughts. He made the most of it, turning exhaustive research and hundreds of hours of interviews into a true story with the sweep of a novel. From the early discovery of McPartland’s musical gift through her wartime service, her ecstatic and stormy marriage to Jimmy McPartland, her growth as a pianist, her deep affair with Joe Morello, and the radio show that made her a national figure, she has had a fascinating life. It makes a splendid read.
Mulligan’s Concert Jazz Band had three fewer musicians than most big jazz outfits. Its size permitted precision, flexibility and subtlety, yet the band had the power of sprung steel. In this concert from a half century ago, the CJB is as fresh as yesterday. Arrangements by Mulligan, Bob Brookmeyer, Al Cohn and Johnny Mandel set standards to which big band writers still aspire. Bassist Buddy Clark and drummer Mel Lewis inspired Mulligan, Brookmeyer, Conte Candoli, Gene Quill and Zoot Sims to some of the best soloing of their careers. This beautifully produced issue of the complete concert is a basic repertoire item.
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