Put aside all of the old arguments about whether this is jazz, jazz-rock, fusion, world music, ethnic music, R&B, funk or something else. The arguments don’t matter anymore, if they ever did. This is truly, to borrow Ellington’s overused phrase, beyond category. There is no more stunning instance of what rhythm, harmony and harmonics can do for a repeated riff. Joe Zawinul wrote the song. This version of Weather Report is Zawinul at his electronic keyboard arsenal, Wayne Shorter playing two kinds of saxophone, Jaco Pastorius on bass and Peter Erskine on drums. The performance is from a concert in Germany in 1978. There are a couple of rough spots in the tape. Be glad the tape exists. YouTube says this clip has been viewed more than a million times.
Have a good weekend.
The nonagenarian pianist presented de Barros with every biographer’s hope, unrestricted access to his subject’s personal papers and nearly unrestricted access to her private thoughts. He made the most of it, turning exhaustive research and hundreds of hours of interviews into a true story with the sweep of a novel. From the early discovery of McPartland’s musical gift through her wartime service, her ecstatic and stormy marriage to Jimmy McPartland, her growth as a pianist, her deep affair with Joe Morello, and the radio show that made her a national figure, she has had a fascinating life. It makes a splendid read.
Mulligan’s Concert Jazz Band had three fewer musicians than most big jazz outfits. Its size permitted precision, flexibility and subtlety, yet the band had the power of sprung steel. In this concert from a half century ago, the CJB is as fresh as yesterday. Arrangements by Mulligan, Bob Brookmeyer, Al Cohn and Johnny Mandel set standards to which big band writers still aspire. Bassist Buddy Clark and drummer Mel Lewis inspired Mulligan, Brookmeyer, Conte Candoli, Gene Quill and Zoot Sims to some of the best soloing of their careers. This beautifully produced issue of the complete concert is a basic repertoire item.
Brill performance. But I’m happy the shirtless rhythm section thing never caught on.
Always loved the recorded version of “Birdland” – still do. The live version always struck me as odd because they break into a shuffle rhythm, a seemingly antithetical move to the “original” nature of the piece. Anyway,I saw them perform this live on Jaco’s first tour and it was a gas! (and every one of them kept his shirt on.)