One day I heard a pianist play `Honeysuckle Rose,’ … and I was hooked. I said, `What is that?’ He said, `jazz,’ which was a word I had never heard, and I asked him to spell it for me. My life was changed after that. – Joe Zawinul
I am an improviser, … I improvise music. Whatever you want to call it all, it is all improvised music. I may capture it and go back and write it down for others, but it was originally improvised. – Joe Zawinul
For a white Viennese boy to write a tune that’s that black is pretty remarkable. He just captured the essence of the African-American heritage, just the statement of melody and feeling of that song. Clearly, in some past life, Joe must’ve been black. – Herbie Hancock on “Mercy, Mercy, Mercy.”
Zawinul has been gone nearly two years. For a Rifftides reminiscence posted upon his passing, go here. It includes the story of why Cannonball Adderley’s first-choice take of “Mercy, Mercy, Mercy” was nixed by the record company.
The nonagenarian pianist presented de Barros with every biographer’s hope, unrestricted access to his subject’s personal papers and nearly unrestricted access to her private thoughts. He made the most of it, turning exhaustive research and hundreds of hours of interviews into a true story with the sweep of a novel. From the early discovery of McPartland’s musical gift through her wartime service, her ecstatic and stormy marriage to Jimmy McPartland, her growth as a pianist, her deep affair with Joe Morello, and the radio show that made her a national figure, she has had a fascinating life. It makes a splendid read.
Mulligan’s Concert Jazz Band had three fewer musicians than most big jazz outfits. Its size permitted precision, flexibility and subtlety, yet the band had the power of sprung steel. In this concert from a half century ago, the CJB is as fresh as yesterday. Arrangements by Mulligan, Bob Brookmeyer, Al Cohn and Johnny Mandel set standards to which big band writers still aspire. Bassist Buddy Clark and drummer Mel Lewis inspired Mulligan, Brookmeyer, Conte Candoli, Gene Quill and Zoot Sims to some of the best soloing of their careers. This beautifully produced issue of the complete concert is a basic repertoire item.
Even though I read your reminiscence of Joe Zawinul nearly two years ago, I still clicked on the link to it – mainly because I’d forgotten the Cannonball Adderley story about the ‘take’ on MERCY MERCY MERCY. Once on that page, I decided to click on the highlighted word ‘signifying’, which I hadn’t done the first time around. That took me to the Wikipedia page* where ‘signifying’ is explained and discussed by none other than Henry Louis Gates Jr., the gentleman who recently had a beer in the White House garden with the President, a Cambridge police officer and Joe, the Vice-Bama.
* http://en.wikipedia.org/wiki/Signifyin‘