Larry Bunker’s versatile drumming, vibes playing and skill as an all-’round percussionist
put him in demand by jazz players, symphony conductors, film and television studios, and singers. He worked with an array of artists that included Gerry Mulligan, Pierre Boulez, Peggy Lee, Judy Garland, Dizzy Gillespie, Gary Burton and Michael Tilson Thomas. In the mid-sixties, Bunker (1928-2005) took time to fill an ambition. For years, he had dreamed of playing with Bill Evans, and for a year or so left his lucrative first-call Los Angeles life to go on the road and record with Evans’ trio.
In this performance with Evans and bassist Chuck Israels, we hear–and see–why Bunker was so highly regarded for his playing with brushes. Following a rapid version of “Israel” and BBC-TV host Humphrey Lyttleton’s farewell, Evans ends with his “I Got Rhythm” variant called “Five,” toward the end working in a few bars each of “The Theme” and “Taps Miller.” Throughout, he and Israels have spirited exchanges with Bunker.





The nonagenarian pianist presented de Barros with every biographer’s hope, unrestricted access to his subject’s personal papers and nearly unrestricted access to her private thoughts. He made the most of it, turning exhaustive research and hundreds of hours of interviews into a true story with the sweep of a novel. From the early discovery of McPartland’s musical gift through her wartime service, her ecstatic and stormy marriage to Jimmy McPartland, her growth as a pianist, her deep affair with Joe Morello, and the radio show that made her a national figure, she has had a fascinating life. It makes a splendid read.
Mulligan’s Concert Jazz Band had three fewer musicians than most big jazz outfits. Its size permitted precision, flexibility and subtlety, yet the band had the power of sprung steel. In this concert from a half century ago, the CJB is as fresh as yesterday. Arrangements by Mulligan, Bob Brookmeyer, Al Cohn and Johnny Mandel set standards to which big band writers still aspire. Bassist Buddy Clark and drummer Mel Lewis inspired Mulligan, Brookmeyer, Conte Candoli, Gene Quill and Zoot Sims to some of the best soloing of their careers. This beautifully produced issue of the complete concert is a basic repertoire item.
And a little bit of “Oleo”, too. Larry Bunker is one of my heroes, so thank you, Doug, for the item and the video clip. Besides the CD you linked to, another great album with that trio (Bill, Chuck and Larry), is “Trio ’65″ on Verve.