In Barcelona, there is a baritone saxophonist named Joan Chamorro. As might be expected of a young player of his instrument, he is under the spell of Harry Carney, Gerry Mulligan and Pepper Adams. I can find no recordings under his own name, although here and here, Chamorro is listed as a sideman. Jordi Pujol sent the Rifftides staff a message in which he mentioned that this year his Fresh Sound label will release a CD with Chamorro as leader. Based on what I have heard of his playing, that seems something to anticipate.
On YouTube and Google there several videos of Chamorro at work with his quartet. In the lengthy clip below, he pays tribute to Mulligan with a medley of quartet pieces. The first number, incomplete, is Ben Webster’s blues “Go Home,” followed by “Bernie’s Tune,” “Makin’ Whoopee” and “Love Me or Leave Me.” The other musicians are Toni Belenguer, trombone; David Mengual, bass; and David Xirgu, drums. Despite their adherence to the form of the Mulligan pieces, the individuality of Chamorro and the others leaps off the screen and out of the speakers, particularly in the final choruses of “Love Me or Leave Me.” Unfortunately, the performance is summarily executed before it finishes. The sloppy production is typical of web videos, but we get spirited playing that indicates more good work to come from Spain.





The nonagenarian pianist presented de Barros with every biographer’s hope, unrestricted access to his subject’s personal papers and nearly unrestricted access to her private thoughts. He made the most of it, turning exhaustive research and hundreds of hours of interviews into a true story with the sweep of a novel. From the early discovery of McPartland’s musical gift through her wartime service, her ecstatic and stormy marriage to Jimmy McPartland, her growth as a pianist, her deep affair with Joe Morello, and the radio show that made her a national figure, she has had a fascinating life. It makes a splendid read.
Mulligan’s Concert Jazz Band had three fewer musicians than most big jazz outfits. Its size permitted precision, flexibility and subtlety, yet the band had the power of sprung steel. In this concert from a half century ago, the CJB is as fresh as yesterday. Arrangements by Mulligan, Bob Brookmeyer, Al Cohn and Johnny Mandel set standards to which big band writers still aspire. Bassist Buddy Clark and drummer Mel Lewis inspired Mulligan, Brookmeyer, Conte Candoli, Gene Quill and Zoot Sims to some of the best soloing of their careers. This beautifully produced issue of the complete concert is a basic repertoire item.
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I read and thoroughly enjoyed it -- great writing!Roberta on Poodie James Sale
Good luck with your book Doug. I will check it out. Thank you for the great blogging. All the best, Roberta Arnold, Artist Representative Toninho Horta Ronnie Cuber