There is still no confirmation, and no denial, of reports that Jazz Times will go out of business as a print publication. General economic decline, the increasing loss of advertising life blood and the necessity to shrink staffs weaken all magazines and newspapers.
Nasty fiscal weather is even more threatening to publications that specialize in cultural affairs. In hard times, support for the arts is likely to top the list of cuts in advertiser, donor and personal budgets. In his blog’s Sunday Wax Bits, Marc Myers takes a perceptive look at the Jazz Times predicament and at alternatives to paper-based jazz information.
I don’t buy the argument that the slow demise of print is tied to the “dumbing down of America.” Fans today aren’t reading less about jazz. They’re just gravitating toward more essential content. What is essential? Content that’s timely, surprising and independent. Sadly, many jazz magazines in recent years have missed the mark on all three fronts with cost escalations, talent drains and advertiser synergy deals.
To read the whole thing, go to JazzWax
The nonagenarian pianist presented de Barros with every biographer’s hope, unrestricted access to his subject’s personal papers and nearly unrestricted access to her private thoughts. He made the most of it, turning exhaustive research and hundreds of hours of interviews into a true story with the sweep of a novel. From the early discovery of McPartland’s musical gift through her wartime service, her ecstatic and stormy marriage to Jimmy McPartland, her growth as a pianist, her deep affair with Joe Morello, and the radio show that made her a national figure, she has had a fascinating life. It makes a splendid read.
Mulligan’s Concert Jazz Band had three fewer musicians than most big jazz outfits. Its size permitted precision, flexibility and subtlety, yet the band had the power of sprung steel. In this concert from a half century ago, the CJB is as fresh as yesterday. Arrangements by Mulligan, Bob Brookmeyer, Al Cohn and Johnny Mandel set standards to which big band writers still aspire. Bassist Buddy Clark and drummer Mel Lewis inspired Mulligan, Brookmeyer, Conte Candoli, Gene Quill and Zoot Sims to some of the best soloing of their careers. This beautifully produced issue of the complete concert is a basic repertoire item.
I think Marc’s analysis is on the money. Blogs (like Marc’s and this one), and discussion groups/boards like Organissimo are where I spend my time — a lot of time — and I’m usually well rewarded. Knowledge (Doug’s is deep and broad but self-effacing), independence and genuine effort of the “I stand behind this — I want to get it right” sort. Also, as someone who did a lot of interviews in my time as a print journalist and almost always loathed the tedious transcribing process, I can’t believe how much time Marc must put in on his interviews and how deftly he nudges his subjects along.