an

blog | AJBlog Central | Contact me | Advertise | Follow me:

The 2010 NEA Jazz Masters

May 21, 2009 By Doug Ramsey

From a news release just received:

May 21, 2009
Washington, DC – The National Endowment for the Arts (NEA) today announced the recipients of the 2010 NEA Jazz Masters Award – the nation’s highest honor in this distinctly American music The eight recipients will each receive a $25,000 grant award and be publicly honored in an awards ceremony and concert on Tuesday, January 12, 2010 at Frederick P. Rose Hall, home of Jazz at Lincoln Center.
The eight 2010 NEA Jazz Masters are:
Muhal Richard Abrams, pianist, composer, educator, New York, NY
Kenny Barron, pianist composer, educator, Brooklyn, NY
Bill Holman, composer arranger, saxophonist, Los Angeles, CA
Bobby Hutcherson, vibraphonist, marimba player, composer, Montara, CA
Yusef Lateef, saxophonist, flutist, oboist, composer, educator, Amherst, MA
Annie Ross, vocalist, New York, NY
Cedar Walton, pianist, composer, Brooklyn, NY
George Avakian, a jazz producer, manager, critic, and educator from Riverdale, New York, will receive the 2010 A.B Spellman NEA Jazz Masters Award for Jazz Advocacy.

Congratulations to all. To see the complete NEA announcement, click here. To read last week’s Wall Street Journal profile of George Avakian by Will Friedwald, click here.

05/21/09 9:55 PM | filed under: main |

Archives

Recent Comments

Doug Ramsey on Weekend Listening Tips (Bi-Coastal)
Amazon seems to be offering to serve as a middleman to provide Stridemonster! as an MP3 download for nine bucks or a CD for $80.00.
Posted May 25, 2012
Ted O'Reilly on Weekend Listening Tips (Bi-Coastal)
Please pass on to Bill Kirchner my thanks in highlighting the Stridemonster! album I produced. I was at the Bern concert and spoke...
Posted May 25, 2012
David on Weekend Listening Tips (Bi-Coastal)
Ken, I have that LP - make me an offer. The four pianists were seated back to back, apparently with only one mic on each...
Posted May 25, 2012
Doug Ramsey on Weekend Listening Tips (Bi-Coastal)
I'm afraid that it went the way of most of my other LPs before the last big move.
Posted May 25, 2012
Ken Dryden on Weekend Listening Tips (Bi-Coastal)
I've long been a collector of duo piano recordings, especially after hearing so many fun combinations on Marian McPartland's Piano Jazz. But do you have...
Posted May 25, 2012

Doug’s Picks

CD: Felsted Mainstream

The Complete Stanley Dance Felsted “Mainstream Jazz” Recordings 1958-1959 (Fresh Sound)

This nine-CD treasure chest contains dozens of the finest mainstream artists from a golden era. Stanley Dance, who applied the term mainstream to jazz, supervised the sessions for the British Felsted label. Johnny Hodges, Earl Hines, Coleman Hawkins, Rex Stewart, Buster Bailey, Jo Jones, Budd Johnson, Dicky Wells, Billy Strayhorn; they’re all here, along with superb half-forgotten musicians like saxophonist George Kelly, guitarist Dickie Thompson and drummer Earl Watkins. Among the supporting players are young lions of the fifties Ray Bryant, Kenny Burrell and Ray Brown. The package includes Hodges in Strayhorn’s brilliant album Cue For Saxophone. The booklet has all of Dance’s notes, updated.

CD: Brad Mehldau Trio

Brad Mehldau Trio, Ode (Nonesuch)

Mehldau has recorded lately as solo pianist, in duets with classical mezzo-soprano Anne Sofie Van Otter and with a large orchestra. Bassist Larry Grenadier and drummer Jeff Ballard join him in a stimulating return to trio playing. They are attuned to the pianist as if by ESP. He describes the title tune as “an ode to odes” and dedicates other pieces to figures in his personal and musical lives. Among those who inspired them are Michael Brecker, Kurt Rosenwinkel, the Jack Nicholson character George Hanson and Aquaman, but you needn’t know that to be moved by the virtuosity and joy of this music.

CD: Mike Longo

Mike Longo, To My Surprise: Trio + 2 (CAP

The trio is pianist Longo, bassist Bob Cranshaw and drummer Lewis Nash— a formidable New York rhythm section. With the addition on half the tracks of trumpeter Jimmy Owens and tenor saxophonist Lance Bryant, Longo takes the quintet through classic bop territory and beyond into modal country. If there were Oscars for Wilde titles, “A Picture of Dorian Mode,” would win. The adventurous playing on the track awards the listener. With trio or quartet, in standards or new Longo compositions, hard-charging or pensive, this is an album full of satisfactions, not least the lovely take on “In the Wee Small Hours” that ends it.

DVD: Thelonious Monk

Thelonious Monk Live in France 1969 (Jazz Icons)

The video of Monk alone at the piano in a Paris studio is the jewel of the fifth Jazz Icons box set that many feared would not come. Taped with visual simplicity and excellent sound, he plays 12 pieces, all of them his compositions but “Don’t Blame Me” and a rollicking “Nice Work if You Can Get It.” Except for that exultant conclusion, the concert has an air of reflective, almost Brahmsian, gravity. His harmonies can be breathtaking. The bonuses—unedited documentary footage and an attempt to interview Monk—are curiosities. The music is essential.

Book: Timme Rosenkrantz

Timme Rosenkrantz, Fradley Hamilton Garner, Harlem Jazz Adventures: A European Baron’s Memoir, 1934-1969

Timme Rosenkrantz (1911–1969) had royal Danish blood, but no royal pretensions, and when he came to the US in 1934, his garrulous charm made him fit right in. What attracted him here was jazz. He became a chronicler and friend of musicians from Louis Armstrong to Art Tatum to Lennie Tristano and dozens of others. He was a rounder and a storyteller, and he could write. His memoir, artfully edited by Fradley Gardner, is a chronicle of three decades when New York was the center of the jazz universe and Rosenkrantz was swinging through it.

CD: Toots Thielemans

Toots Thielemans, Yesterday & Today (Out Of The Blue)

Two CDs with thirty-eight tracks, most previously unreleased, follow Thielemans from 1946, when he was a 23-year-old guitarist with a Belgian swing band, to a 2001 harmonica performance of “What A Wonderful World” with pianist Kenny Werner. In the late 1940s and early ‘50s, when many European musicians were struggling with the style, Thielemans had a firm grasp of bebop. Playing through the decades with George Shearing, Hank Jones, J.J. Johnson, Elis Regina, Mulgrew Miller, Shirley Horn and a few dozen others, Thielemans is astonishing on both instruments, but it’s his harmonica that brings grins of joy.

More Doug's Picks