Beginning a west coast tour, Karrin Allyson took her quartet into The Seasons Thursday evening. Alternating between bossa nova subtlety and blues forthrightness, she drew liberally from the Brazilian repertoire of her current Imagina
CD, singing in Portuguese and English. She sparkled with delicacy and brightness in Antonio Carlos Jobim classics including “Estrada Branca (This Happy Madness),” “Double Rainbow” and “Desafinado.” She displayed her Kansas City roots in “Some of My Best Friends are the Blues,” Ellington’s “I Ain’t Got Nothin’ but the Blues” and Hank Mobley’s “The Turnaround.” She blends grit and folk wisdom into the sophistication of her blues singing and piano playing.
Guitarist Rod Fleeman and drummer Todd Strait, Allyson’s colleagues since her career beginnings in Kansas City in the early 1990s, and bassist Jeff Johnson have uncanny levels of empathy with her and among one another. Allyson gave each of them extensive solo time, and each got sustained displays of enthusiasm from the audience. At one point, a Fleeman blues solo on Wes Montgomery’s “Fried Pies” inspired a man sitting near me to ask no one in particular, “Where the hell did he come from?”
In Wayne Shorter’s “Footprints,” Allyson achieved devastating minor blues poignancy abetted by rich chord voicings in her own piano accompaniment. Asked in a post-intermission chat about the increased depth of her piano playing, she seemed taken aback, as if it were being called to her attention for the first time. In fact, she is a piano soloist and accompanist of fluency and harmonic resourcefulness. Allyson’s concert was a demonstration of the completeness of her musicianship as a vocalist, a pianist, and a leader who inspires and interacts with her sidemen. Her group is a band, in every sense. She elicited two standing ovations, gave two encores and left the audience hoping for more.
Tonight, Allyson and company perform at the San Francisco Jazz Festival. To see if they’re coming to a town near you, check their itinerary.





The nonagenarian pianist presented de Barros with every biographer’s hope, unrestricted access to his subject’s personal papers and nearly unrestricted access to her private thoughts. He made the most of it, turning exhaustive research and hundreds of hours of interviews into a true story with the sweep of a novel. From the early discovery of McPartland’s musical gift through her wartime service, her ecstatic and stormy marriage to Jimmy McPartland, her growth as a pianist, her deep affair with Joe Morello, and the radio show that made her a national figure, she has had a fascinating life. It makes a splendid read.
Mulligan’s Concert Jazz Band had three fewer musicians than most big jazz outfits. Its size permitted precision, flexibility and subtlety, yet the band had the power of sprung steel. In this concert from a half century ago, the CJB is as fresh as yesterday. Arrangements by Mulligan, Bob Brookmeyer, Al Cohn and Johnny Mandel set standards to which big band writers still aspire. Bassist Buddy Clark and drummer Mel Lewis inspired Mulligan, Brookmeyer, Conte Candoli, Gene Quill and Zoot Sims to some of the best soloing of their careers. This beautifully produced issue of the complete concert is a basic repertoire item.
Recent Comments
Bill Crow on Weekend Listening And Viewing Tip: Stamm And Holober Live
Thanks for the link, Doug. I had to miss the concert because I had a gig in Staten Island that evening. I've played...Dr. MIke Baughan on Other Matters: Watergate
Time for some Watergate Blues? www.youtube.com/watch?v=vAHjqQcBmtA http://www.youtube.com/watch?v=Rh3bgPJ4dBs http://www.youtube.com/watch?v=fbb7mX67YBwDoug Potter on A Dave Brubeck Memorial Service
I also have the Brubeck-Bennett CD coming from Amazon for my birthday on the 29th of May....thank you guys for finding it WOW.. DP Essex...Danny Barrett on Followup: Bev Getz’s Father
..What wonderful stories I just read about Stan. I know Bev and Nonie, a little..There straight shooters,bright and lovely too..In regard to Don Albert's comment...Red Sullivan on Correspondence: Shearing And You Know Who
The second Shearing/Nancy Wilson album, Hello Young Lovers, also on Capitol, but lesser known, is even superior. Orchestrations - well, arrangements anyway, are Shearing's own...