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Darcy James Argue’s Secret Society, Infernal Machines (New Amsterdam). Can generations nurtured on rock and roll learn to love music by a band configured like one out of the swing era? The answer delivered in this work of imagination, daring and resourcefulness is yes. Argue’s textures, harmonies and uses of space and time place him alongside Maria Schneider, Ed Partyka and John Hollenbeck among intriguing young composer-leaders of the new century. His music incorporates funk, spunk and the brashness of punk into crafty uses of inheritances from Gil Evans, Bill Holman and Bob Brookmeyer. His band of young New Yorkers plays beautifully.





The nonagenarian pianist presented de Barros with every biographer’s hope, unrestricted access to his subject’s personal papers and nearly unrestricted access to her private thoughts. He made the most of it, turning exhaustive research and hundreds of hours of interviews into a true story with the sweep of a novel. From the early discovery of McPartland’s musical gift through her wartime service, her ecstatic and stormy marriage to Jimmy McPartland, her growth as a pianist, her deep affair with Joe Morello, and the radio show that made her a national figure, she has had a fascinating life. It makes a splendid read.
Mulligan’s Concert Jazz Band had three fewer musicians than most big jazz outfits. Its size permitted precision, flexibility and subtlety, yet the band had the power of sprung steel. In this concert from a half century ago, the CJB is as fresh as yesterday. Arrangements by Mulligan, Bob Brookmeyer, Al Cohn and Johnny Mandel set standards to which big band writers still aspire. Bassist Buddy Clark and drummer Mel Lewis inspired Mulligan, Brookmeyer, Conte Candoli, Gene Quill and Zoot Sims to some of the best soloing of their careers. This beautifully produced issue of the complete concert is a basic repertoire item.
I bought the album as soon as it was available because I had heard the band in concert at the NPR/Jazz & Blues site. NPR’s Jazz archives, with concerts all about one hours, with Jazz Profiles, is an absolute treasure for students of the art and craft and history of Jazz.