Jim Wilke, the proprietor of Jazz After Hours, writes:
I thought you’d like to know I’m featuring several selections by Bud Shank in each hour of tonight’s program. Music ranges from his earliest World Pacific and Pacific Jazz records in the ’50s through his latest issued recordings. Please pass the word to others you think would be interested.
For a list of the 79 stations that carry Wilke”s syndicated program, go here. If you are in none of their listening areas, you can hear him on KPLU-FM’s streaming internet feed. Follow this link and click on “Listen Live.” The broadcast is from midnight to 4:30 a.m. PDT, 3:00 a.m. to 7:30 a.m EDT, Saturday, April 11.
Shank, a major alto saxophonist, flutist, band leader and educator, died a week ago. To see the Rifftides item about his passing and his importance, go here
Kim Matas has a fine profile of Shank in her “Life Stories” column in today’s Arizona Star, his hometown paper.
The nonagenarian pianist presented de Barros with every biographer’s hope, unrestricted access to his subject’s personal papers and nearly unrestricted access to her private thoughts. He made the most of it, turning exhaustive research and hundreds of hours of interviews into a true story with the sweep of a novel. From the early discovery of McPartland’s musical gift through her wartime service, her ecstatic and stormy marriage to Jimmy McPartland, her growth as a pianist, her deep affair with Joe Morello, and the radio show that made her a national figure, she has had a fascinating life. It makes a splendid read.
Mulligan’s Concert Jazz Band had three fewer musicians than most big jazz outfits. Its size permitted precision, flexibility and subtlety, yet the band had the power of sprung steel. In this concert from a half century ago, the CJB is as fresh as yesterday. Arrangements by Mulligan, Bob Brookmeyer, Al Cohn and Johnny Mandel set standards to which big band writers still aspire. Bassist Buddy Clark and drummer Mel Lewis inspired Mulligan, Brookmeyer, Conte Candoli, Gene Quill and Zoot Sims to some of the best soloing of their careers. This beautifully produced issue of the complete concert is a basic repertoire item.
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