Jim Wilke, the proprietor of Jazz After Hours, writes: I thought you'd like to know I'm featuring several selections by Bud Shank in each hour of tonight's program. Music ranges from his earliest World Pacific and Pacific Jazz records in the '50s through his latest issued recordings. Please pass the word to others you think would be interested. For a list of the 79 stations that carry Wilke''s syndicated program, go here. If you are in none of their listening areas, you can hear him on … [Read more...]
Singers, Part 1
I've been sampling CDs by singers. For the most part, the CDs are new, but not all of the singers are. As an example, take Jimmy Rushing...please. Jimmy Rushing, The Scene: Live In New York (High Note). Rushing became famous with the Count Basie band of the late 1930s and was with Basie until 1950. The cliché most often applied to him is "blues shouter," and he was a magnificent one. The designation sells him short, though. Rushing was also a superlative singer of standard songs, particularly … [Read more...]





The nonagenarian pianist presented de Barros with every biographer’s hope, unrestricted access to his subject’s personal papers and nearly unrestricted access to her private thoughts. He made the most of it, turning exhaustive research and hundreds of hours of interviews into a true story with the sweep of a novel. From the early discovery of McPartland’s musical gift through her wartime service, her ecstatic and stormy marriage to Jimmy McPartland, her growth as a pianist, her deep affair with Joe Morello, and the radio show that made her a national figure, she has had a fascinating life. It makes a splendid read.
Mulligan’s Concert Jazz Band had three fewer musicians than most big jazz outfits. Its size permitted precision, flexibility and subtlety, yet the band had the power of sprung steel. In this concert from a half century ago, the CJB is as fresh as yesterday. Arrangements by Mulligan, Bob Brookmeyer, Al Cohn and Johnny Mandel set standards to which big band writers still aspire. Bassist Buddy Clark and drummer Mel Lewis inspired Mulligan, Brookmeyer, Conte Candoli, Gene Quill and Zoot Sims to some of the best soloing of their careers. This beautifully produced issue of the complete concert is a basic repertoire item.
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Had the good fortune to see Fatha Hines in 1973 at the New School in NYC. There's a nice live recording of this concert too.Dick Unsworth on Happy Fatha’s Day
Haven't heard "Fatha" Hines and bassist Pedersen for ages. Thanks for the treat.Terence Smith on Happy Fatha’s Day
Earl Hines made every day Fatha's Day every time he played. Thanks to Doug Ramsey for this inspired choice of an inspired "Memories of You." ...