I would go to the library and borrow scores by all those great composers, like Stravinsky, Alban Berg, Prokofiev. I wanted to see what was going on in all of music. Knowledge is freedom and ignorance is slavery, and I just couldn’t believe someone could be that close to freedom and not take advantage of it.
It was because of Bill [Evans]‘s influence, I think, that I always had classical music on around the house. It was so soothing to think and work by. I mean people would come by and expect to hear a lot of jazz on the box, but I wasn’t into that at the time and a lot of people were shocked to hear me listening to classical music all the time, you know, Stravinsky, Arturo Michelangeli, Rachmaninoff, Isaac Stern.
I don’t like to hear someone put down dixieland. Those people who say there’s no music but bop are just stupid; it shows how much they don’t know.
You cant play nothing on modern trumpet that doesn’t come from him, (Louis Armstrong) not even modern shit. I can’t even remember a time when he sounded bad playing the trumpet. Never. Not even one time. He had great feeling up in his playing and he always played on the beat. I just loved the way he played and sang
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Photo © Jamie Parslow, 1970





The nonagenarian pianist presented de Barros with every biographer’s hope, unrestricted access to his subject’s personal papers and nearly unrestricted access to her private thoughts. He made the most of it, turning exhaustive research and hundreds of hours of interviews into a true story with the sweep of a novel. From the early discovery of McPartland’s musical gift through her wartime service, her ecstatic and stormy marriage to Jimmy McPartland, her growth as a pianist, her deep affair with Joe Morello, and the radio show that made her a national figure, she has had a fascinating life. It makes a splendid read.
Mulligan’s Concert Jazz Band had three fewer musicians than most big jazz outfits. Its size permitted precision, flexibility and subtlety, yet the band had the power of sprung steel. In this concert from a half century ago, the CJB is as fresh as yesterday. Arrangements by Mulligan, Bob Brookmeyer, Al Cohn and Johnny Mandel set standards to which big band writers still aspire. Bassist Buddy Clark and drummer Mel Lewis inspired Mulligan, Brookmeyer, Conte Candoli, Gene Quill and Zoot Sims to some of the best soloing of their careers. This beautifully produced issue of the complete concert is a basic repertoire item.
Recent Comments
Jack Greenberg on Unburied Treasure: Chick Corea Trio
Well, I'm sure this performance won a lot of new fans for "jazz". I didn't see Ronald Reagan in the audience. Maybe he...Jim Eigo on Unburied Treasure: Chick Corea Trio
Great to see this amazing trio no matter where they play... And don't forget Dizzy and Max doing "Salt Peanuts" with Jimmy Carter http://www.youtube.com/watch?v=ORhqJZfxxcIBill Benjamin on Unburied Treasure: Chick Corea Trio
Just great. The Now He Sings, Now He Sobs trio. The Bush family must have been freaking out on that first tune.Bill Anschell on Praise For Poodie James
I read and thoroughly enjoyed it -- great writing!Roberta on Poodie James Sale
Good luck with your book Doug. I will check it out. Thank you for the great blogging. All the best, Roberta Arnold, Artist Representative Toninho Horta Ronnie Cuber