Tonight and tomorrow night, Town Hall in New York City is observing the fiftieth anniversary of Thelonious Monk’s celebrated performance there with a ten-piece band. This evening’s concert will present trumpeter Charles Tolliver’s big band playing Monk’s music. WNYC will broadcast it live at eight o’clock EST. To hear it in the New York area, tune in to 93.9 FM. To hear it on the internet, go here.
Tomorrow night, pianist Jason Moran will lead an eight-piece ensemble in what is being described as a concert and media-collage. Both concerts will use W. Eugene Smith’s photographs of Monk and orchestrator Hall Overton as they created medium-size-band arrangements of Monk’s compositions. WNYC will record Moran’s concert and may broadcast it later.
Yesterday, Moran was in WNYC’s studios for the Leonard Lopate Show, discussing and demonstrating the challenges of interpreting Monk. Lopate brought in cameras, resulting in radio with pictures. Moran’s sidemen are alto saxophonist Logan Richardson, tenor saxophonist Aaron Stewart, bassist Tarus Mateen and drummer Nasheet Waits.
The recording of Monk’s Town Hall concert of February 28, 1959, is a basic repertoire item for any serious listener.





The nonagenarian pianist presented de Barros with every biographer’s hope, unrestricted access to his subject’s personal papers and nearly unrestricted access to her private thoughts. He made the most of it, turning exhaustive research and hundreds of hours of interviews into a true story with the sweep of a novel. From the early discovery of McPartland’s musical gift through her wartime service, her ecstatic and stormy marriage to Jimmy McPartland, her growth as a pianist, her deep affair with Joe Morello, and the radio show that made her a national figure, she has had a fascinating life. It makes a splendid read.
Mulligan’s Concert Jazz Band had three fewer musicians than most big jazz outfits. Its size permitted precision, flexibility and subtlety, yet the band had the power of sprung steel. In this concert from a half century ago, the CJB is as fresh as yesterday. Arrangements by Mulligan, Bob Brookmeyer, Al Cohn and Johnny Mandel set standards to which big band writers still aspire. Bassist Buddy Clark and drummer Mel Lewis inspired Mulligan, Brookmeyer, Conte Candoli, Gene Quill and Zoot Sims to some of the best soloing of their careers. This beautifully produced issue of the complete concert is a basic repertoire item.
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