Rifftides reader Peter Myers writes: In your liner notes from the great Christmas present CD I received, The Art and Soul of Houston Person, you mentioned a gifted 19-year-old jazz musician who plays few standards. I wondered if you were talking about Eldar. I was looking forward to seeing him at the Clearwater, FL Jazz Holiday back in October. I came away disappointed for the same reason. He played mostly his own compositions. Brilliant though he may be, his choice of music almost boredered on … [Read more...]
Those Missing Pictures
Because of a digital malfunction the nature of which I am unequipped to explain, some of the pictures in the recent Rifftides archives have disappeared and been replaced by empty boxes. The artsjournal.com technical hierarchy assures me that the gremlins have been found and summarily executed, but their mischief remains until the Rifftides staff can repair it. That is a matter of one photo being restored at a time. The staff has plenty to do and will undertake restoration as time allows. If you … [Read more...]





The nonagenarian pianist presented de Barros with every biographer’s hope, unrestricted access to his subject’s personal papers and nearly unrestricted access to her private thoughts. He made the most of it, turning exhaustive research and hundreds of hours of interviews into a true story with the sweep of a novel. From the early discovery of McPartland’s musical gift through her wartime service, her ecstatic and stormy marriage to Jimmy McPartland, her growth as a pianist, her deep affair with Joe Morello, and the radio show that made her a national figure, she has had a fascinating life. It makes a splendid read.
Mulligan’s Concert Jazz Band had three fewer musicians than most big jazz outfits. Its size permitted precision, flexibility and subtlety, yet the band had the power of sprung steel. In this concert from a half century ago, the CJB is as fresh as yesterday. Arrangements by Mulligan, Bob Brookmeyer, Al Cohn and Johnny Mandel set standards to which big band writers still aspire. Bassist Buddy Clark and drummer Mel Lewis inspired Mulligan, Brookmeyer, Conte Candoli, Gene Quill and Zoot Sims to some of the best soloing of their careers. This beautifully produced issue of the complete concert is a basic repertoire item.
Recent Comments
Malcolm Norman on A Desmond Oberlin Masterpiece, Complete
The ultimate frustration is that I, outside the U.S. (i.e. Germany), cannot access the video even when using a proxy giving me a U.K. IP-number!...André Growald on Stompin’ For Mili
Hi Doug, John Bolger, Brandon Bloch, Iola and all the other passengers on board! I wish to express my indebtedness for being invited to...Peter Katz on A Bert Wilson Broadcast
Bert Wilson and his band were always the highlight of the Berkeley Jazz symposium held 2x per year at the UC Berkeley Newman Center back...David on Aperturistic Trio At Tsaritsino
What an exquisite recaptured audience shot at 0:59, perfectly illustrating the sentence above the clip. A remarkable amount of rhythmic tension develops beginning with the...Jim Eigo on Happy Fatha’s Day
Had the good fortune to see Fatha Hines in 1973 at the New School in NYC. There's a nice live recording of this concert too.