In response to last month’s post Herb Geller At 80, Rifftides reader Mike Baughan sent the following account of hearing Geller under fortuitous circumstances.
On a ‘post-divorce find-myself-solo vacation’ to Norway in 2002, I was fortunate enough to attend some events of the Oslo Jazz Festival. Saw the Swedish guitarist Ulf Wakenius perform a lively set. At the show’s conclusion they invited those interested to meet at The Oslo Grand Hotel for a jam session. Traveling alone, I had no tight schedule, so I went not knowing what it would be like.
The opening band was Herb Geller’s Quartet. Many musicians finishing up their sets
around town sauntered in, with an almost devout attention to Herb’s playing. Among them was Joe Lovano who stood right next to me (!) After a few minutes, I got my nerve up and asked Mr. Lovano if I could buy him a drink. In a long 5 seconds I felt like a fool for asking him, followed by his: “Well of course you can!” In return for the snifter of Courvoisier, I told him, it’d cost him a photo, which hangs prominently on this jazz fan’s wall!
For the next hour, Mr. Lovano was my best friend on this earth. What a kind human being!
Most of our talk was about the state of jazz in Europe in contrast to the USA, but with an emphasis on what a strong role Herb Geller plays in that scene.
As I talked to him, Joe was approached by many other musicians urging him to go up & jam w/ Herb, but he politely declined while introducing me (“Mike from North Carolina”) as his new friend. He pointed out techniques, intricacies, & nuances of Herb’s playing that even I, a non-musician, could understand. Most importantly, his respect for Herb in the pantheon of jazz history was incredible.
I was enthralled! Needless to say, it’s my favorite jazz fan story. Joe & Herb are both class acts in my book. Words can’t express. Pardon the rant, but I’m still fascinated by that evening. Happy Birthday to Mr. Geller. Love your Desmond book. Happy Holidays.
Mike Baughan, Joe Lozano, Oslo, 2002
Thanks to Dr. Baughan for a good story well told.





The nonagenarian pianist presented de Barros with every biographer’s hope, unrestricted access to his subject’s personal papers and nearly unrestricted access to her private thoughts. He made the most of it, turning exhaustive research and hundreds of hours of interviews into a true story with the sweep of a novel. From the early discovery of McPartland’s musical gift through her wartime service, her ecstatic and stormy marriage to Jimmy McPartland, her growth as a pianist, her deep affair with Joe Morello, and the radio show that made her a national figure, she has had a fascinating life. It makes a splendid read.
Mulligan’s Concert Jazz Band had three fewer musicians than most big jazz outfits. Its size permitted precision, flexibility and subtlety, yet the band had the power of sprung steel. In this concert from a half century ago, the CJB is as fresh as yesterday. Arrangements by Mulligan, Bob Brookmeyer, Al Cohn and Johnny Mandel set standards to which big band writers still aspire. Bassist Buddy Clark and drummer Mel Lewis inspired Mulligan, Brookmeyer, Conte Candoli, Gene Quill and Zoot Sims to some of the best soloing of their careers. This beautifully produced issue of the complete concert is a basic repertoire item.
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