Ernestine Anderson, Hot Cargo (Fresh Sound). In these 1956 sessions, Anderson's early singing has lost none of its naturalness, musicality or appeal. Her accompaniments by Harry Arnold's big band and Duke Jordan's trio sound equally fresh. I wrote earlier that this was one of the best vocal albums of the 1950s. I am revising that assessment. It is one of the best vocal recordings of the last half of the twentieth century. Sweden's Metronome label originally released this … [Read more...]
CD: Wadada Leo Smith
Wadada Leo Smith's Golden Quartet, Tabligh, (Cuneiform). stalwart of the avant garde for nearly four decades, Smith continues at the head of the pack in free jazz. In this set of four moody, barely-structured pieces, the trumpeter frequently evokes late-period Miles Davis. He sometimes takes the horn below its natural range to explore pedal-tone territory that Davis never visited. Pianist Vijay Iyer, bassist John Lindberg and drummer Shannon Jackson have developed an uncanny ability to react … [Read more...]
CD: Alexander String Quartet
Alexander String Quartet, Retrospections (Foghorn Classics). The ASQ plumbs the seriousness, assertiveness and sense of glee in quartets 1, 2 and 3 of the Pulitzer Prize-winning composer Wayne Peterson. Peterson draws on inspiration from sources as varied as samba, bluegrass, the bebop of Charlie Parker and Dizzy Gillespie, and predecessors including Bartok and Ives. He integrates those influences in spirit, not letter. Played by the Alexander String Quartet with deep understanding, Peterson's … [Read more...]
DVD: Bobby Shew
The Bobby Shew Story (Skyhigh Films). The great trumpeter talks about his career -- stumbling into a jam session at age fifteen and discovering that he had the gift of improvisation -- deciding to give up studio work: "I realized I was on a chain like a pet monkey" -- the joy of losing his fear of playing incorrectly: "I'm not afraid of sticking my neck out any more." Interspersed with the interview segments are sequences of Shew performing at the Jazz Bakery with the Chris Walden big band. They … [Read more...]
Other Places: Cerra On Feldman
In his Jazz Profiles blog, Steven M. Cerra's stock-in-trade is thorough examinations of the careers of important jazz musicians. His current project is Victor Feldman, the late, astonishingly talented drummer, pianist and vibraharpist. Steve just posted the third of three parts about Feldman. In the first installment, he tells of going to The Lighthouse in Hermosa Beach, California, in the late 1950s when Feldman was playing piano and vibes with the all-star group led by Howard Rumsey. As an … [Read more...]
Fresh Recommendations
In the center column, the Rifftides staff presents the latest batch of Doug's Picks. I think it's fair to describe this as an eclectic selection. … [Read more...]
Book: Ted Gioia
Ted Gioia, Delta Blues (W.W. Norton). Those who think that their musical sophistication places basic blues beneath consideration are likely to benefit from Gioia's exhaustive, deeply informative study. He concentrates on Mississippi Delta blues and its heroes including Robert Johnson, Son House, Mississippi John Hurt and B.B. King. Gioia traces the evolution of the blues from the plantation work songs that were also one of the roots of jazz. He is persuasive on the role of economics in driving … [Read more...]





The nonagenarian pianist presented de Barros with every biographer’s hope, unrestricted access to his subject’s personal papers and nearly unrestricted access to her private thoughts. He made the most of it, turning exhaustive research and hundreds of hours of interviews into a true story with the sweep of a novel. From the early discovery of McPartland’s musical gift through her wartime service, her ecstatic and stormy marriage to Jimmy McPartland, her growth as a pianist, her deep affair with Joe Morello, and the radio show that made her a national figure, she has had a fascinating life. It makes a splendid read.
Mulligan’s Concert Jazz Band had three fewer musicians than most big jazz outfits. Its size permitted precision, flexibility and subtlety, yet the band had the power of sprung steel. In this concert from a half century ago, the CJB is as fresh as yesterday. Arrangements by Mulligan, Bob Brookmeyer, Al Cohn and Johnny Mandel set standards to which big band writers still aspire. Bassist Buddy Clark and drummer Mel Lewis inspired Mulligan, Brookmeyer, Conte Candoli, Gene Quill and Zoot Sims to some of the best soloing of their careers. This beautifully produced issue of the complete concert is a basic repertoire item.
Recent Comments
Jack Greenberg on Unburied Treasure: Chick Corea Trio
Well, I'm sure this performance won a lot of new fans for "jazz". I didn't see Ronald Reagan in the audience. Maybe he...Jim Eigo on Unburied Treasure: Chick Corea Trio
Great to see this amazing trio no matter where they play... And don't forget Dizzy and Max doing "Salt Peanuts" with Jimmy Carter http://www.youtube.com/watch?v=ORhqJZfxxcIBill Benjamin on Unburied Treasure: Chick Corea Trio
Just great. The Now He Sings, Now He Sobs trio. The Bush family must have been freaking out on that first tune.Bill Anschell on Praise For Poodie James
I read and thoroughly enjoyed it -- great writing!Roberta on Poodie James Sale
Good luck with your book Doug. I will check it out. Thank you for the great blogging. All the best, Roberta Arnold, Artist Representative Toninho Horta Ronnie Cuber