When Marc Myers at JazzWax.com decides to solve a mystery, he goes into full Sherlock Holmes mode. He has done that in an attempt to track down the complete personnel of the Shorty Rogers combo in the Looney Tunes cartoon Three Little Bops, which ran last week on Rifftides. I agree with critic Larry Kart’s conclusion that the baritone saxophonist is
Jimmy Giuffre. Follow this link to see the cartoon again and read Kart’s message. Giuffre worked often with Rogers in the 1950s, and the baritone in the film has the sound of Giuffre’s
celebrated spoof R&B hit “Big Girl” with the Lighthouse All-Stars (CD cover pictured). Myers takes an interesting route to reach another conclusion about the baritone player. His detective work produces plausible speculation about the identities of the bassist, drummer and guitarist. See Marc’s posting here.
What matters most is that a delightful cartoon period piece is getting renewed attention. Still, if anyone out there in cyberspace has definite information about the makeup of the band, please let us know by way of the comment link below.





The nonagenarian pianist presented de Barros with every biographer’s hope, unrestricted access to his subject’s personal papers and nearly unrestricted access to her private thoughts. He made the most of it, turning exhaustive research and hundreds of hours of interviews into a true story with the sweep of a novel. From the early discovery of McPartland’s musical gift through her wartime service, her ecstatic and stormy marriage to Jimmy McPartland, her growth as a pianist, her deep affair with Joe Morello, and the radio show that made her a national figure, she has had a fascinating life. It makes a splendid read.
Mulligan’s Concert Jazz Band had three fewer musicians than most big jazz outfits. Its size permitted precision, flexibility and subtlety, yet the band had the power of sprung steel. In this concert from a half century ago, the CJB is as fresh as yesterday. Arrangements by Mulligan, Bob Brookmeyer, Al Cohn and Johnny Mandel set standards to which big band writers still aspire. Bassist Buddy Clark and drummer Mel Lewis inspired Mulligan, Brookmeyer, Conte Candoli, Gene Quill and Zoot Sims to some of the best soloing of their careers. This beautifully produced issue of the complete concert is a basic repertoire item.
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