Bill Evans, Relaxed And Articulate

Evans.jpgBill Evans had precise intellectual understanding of everything he did in his playing. However, like most superior improvisers, he developed his skill and knowledge to the point where he could set aside concentration on keyboard technique and the elements of musical language in order to achieve an unfettered flow of creativity in the spontaneous act of playing jazz. On occasions when he talked about the nature of improvisation, Evans spoke with exactitude and coherence to match his expressiveness at the piano. The most widely known example of his verbal eloquence is in conversation with his brother Harry, a music educator, in a 1966 television program called The Universal Mind of Bill Evans, which is available on DVD.

Now, three revealing video clips have surfaced. They were taped nearly thirty years ago at a private house concert in Finland. The Evans trio played and he talked with his hosts about his music-making. Asked how far the intellect goes in playing jazz, he replied:

Only as far as being a student. You couldn't manipulate yourself fast enough intellectually, to play. I mean jazz is a certain process that is not an intellectual process. You use your intellect to take apart the materials and learn to understand them and learn to work with them. But, actually, it takes years and years of playing to develop the facility so that you can forget all of that and just relax, and just play.

 At the end of the third sequence, bassist Eddie Gomez and drummer Marty Morrell, also speak. These You Tube clips are apparently from a television program that aired in Helsinki. As far as I've been able to discover, they have never been commercially available. This was about a decade before Evans' death in 1980. Relaxed in comfortable surroundings and congenial company, he even smiles, a rarity in video recordings of Evans. The first clip opens with a home movie scene, moves on to Evans speaking, then goes to the trio performing "Emily."

The two remaining clips have the Evans trio playing "Alfie" and "Nardis." You can view them by clicking here and here. Thanks to Jan Stevens of The Bill Evans Webpages for calling these discoveries to my attention.  

November 21, 2008 1:19 PM | | Comments (7)

Categories:

7 Comments

Had to drop a line to tell you how much I enjoyed the Bill Evans videos in Rifftides. I had never really heard him speak before, and it was a delight to hear him relaxed and articulate... just like the music. I'm alway fascinated to hear him play "Nardis". He seems to find something fresh in it every time.

Really enjoyed the 1970 Finland clips of Bill Evans. He was a truly gifted musician. Sad he was such a tormented human being.

Also enjoyed the Quincy/Toots clip.

Absolute bliss.

I've been a Bill Evans fan for 20 years,and this was an incredible treat. Wow. Live. Thank you, thank you.

F.B. King

Splendid video.

These are outstanding clips - the best videos of Bill that I have seen. Thanks for calling attention to them.

Ted Gioia

Thanks for posting these clips, Doug. Treasures!

Bill Crow

Leave a comment

About this Entry

This page contains a single entry by Rifftides published on November 21, 2008 1:19 PM.

Recent Listening: Jordan, Longo, Garrett was the previous entry in this blog.

Jack Nimitz is the next entry in this blog.

Find recent content on the main index or look in the archives to find all content.

AJ Ads

Introducing
AJ Arts Blog Ads

Now you can reach the most discerning arts blog readers on the internet. Target individual blogs or topics in the ArtsJournal ad network.

Advertise Here

AJ Blogs

AJBlogCentral | rss

culture
About Last Night
Terry Teachout on the arts in New York City
Artful Manager
Andrew Taylor on the business of arts & culture
blog riley
rock culture approximately
critical difference
Laura Collins-Hughes on arts, culture and coverage
Dewey21C
Richard Kessler on arts education
diacritical
Douglas McLennan's blog
Dog Days
Dalouge Smith advocates for the Arts
Flyover
Art from the American Outback
Life's a Pitch
For immediate release: the arts are marketable
Mind the Gap
No genre is the new genre
Performance Monkey
David Jays on theatre and dance
Plain English
Paul Levy measures the Angles
Real Clear Arts
Judith H. Dobrzynski on Culture
Rockwell Matters
John Rockwell on the arts
Straight Up |
Jan Herman - arts, media & culture with 'tude

dance
Foot in Mouth
Apollinaire Scherr talks about dance
Seeing Things
Tobi Tobias on dance et al...

jazz
Jazz Beyond Jazz
Howard Mandel's freelance Urban Improvisation
ListenGood
Focus on New Orleans. Jazz and Other Sounds
Rifftides
Doug Ramsey on Jazz and other matters...

media
Out There
Jeff Weinstein's Cultural Mixology
Serious Popcorn
Martha Bayles on Film...

classical music
Creative Destruction
Fresh ideas on building arts communities
The Future of Classical Music?
Greg Sandow performs a book-in-progress
On the Record
Exploring Orchestras w/ Henry Fogel
Overflow
Harvey Sachs on music, and various digressions
PianoMorphosis
Bruce Brubaker on all things Piano
PostClassic
Kyle Gann on music after the fact
Sandow
Greg Sandow on the future of Classical Music
Slipped Disc
Norman Lebrecht on Shifting Sound Worlds

publishing
book/daddy
Jerome Weeks on Books
Quick Study
Scott McLemee on books, ideas & trash-culture ephemera

theatre
Drama Queen
Wendy Rosenfield: covering drama, onstage and off
lies like truth
Chloe Veltman on how culture will save the world

visual
Aesthetic Grounds
Public Art, Public Space
Another Bouncing Ball
Regina Hackett takes her Art To Go
Artopia
John Perreault's art diary
CultureGrrl
Lee Rosenbaum's Cultural Commentary
Modern Art Notes
Tyler Green's modern & contemporary art blog
Creative Commons License
This weblog is licensed under a Creative Commons License.