Although still in his late teens, James was already six-foot-one and weighed 150 pounds. He had a thin waist, no hips, and long skinny legs. To go along with his slinky frame, he
had a large, oval-shaped head, a long nose and prominent ears, dark wavy hair, and a pencil-thin moustache. Perhaps his most provocative feature, however, was his deep-set baby-blue eyes–the bluest blue eyes this side of his future band vocalist, Frank Sinatra. He had a high-pitched voice that occasionally squeaked, and spoke with a pronounced Texan drawl. Some people noticed his resemblance to such 1930s film actors as Basil Rathbone (later to be his co-star in the film Bathing Beauty) and Warren Williams. Somehow, it all meshed, and women found him very attractive.
–Peter J. Levinson, Trumpet Blues: The Life of Harry James
The nonagenarian pianist presented de Barros with every biographer’s hope, unrestricted access to his subject’s personal papers and nearly unrestricted access to her private thoughts. He made the most of it, turning exhaustive research and hundreds of hours of interviews into a true story with the sweep of a novel. From the early discovery of McPartland’s musical gift through her wartime service, her ecstatic and stormy marriage to Jimmy McPartland, her growth as a pianist, her deep affair with Joe Morello, and the radio show that made her a national figure, she has had a fascinating life. It makes a splendid read.
Mulligan’s Concert Jazz Band had three fewer musicians than most big jazz outfits. Its size permitted precision, flexibility and subtlety, yet the band had the power of sprung steel. In this concert from a half century ago, the CJB is as fresh as yesterday. Arrangements by Mulligan, Bob Brookmeyer, Al Cohn and Johnny Mandel set standards to which big band writers still aspire. Bassist Buddy Clark and drummer Mel Lewis inspired Mulligan, Brookmeyer, Conte Candoli, Gene Quill and Zoot Sims to some of the best soloing of their careers. This beautifully produced issue of the complete concert is a basic repertoire item.
I’ve heard Harry James since I was in the cradle. It’s nice to see this. Thanks.
I took up trumpet in 1943 because of Harry James and I worked hard to try to develop technique and sound like his. HE WAS UNIQUE. I doubt you’ll ever hear a purer trumpet tone. Yes, he was heavy on vibrato, but what a style! I think that most people would be able to pick out his sound just hearing it.