John Coltrane
In the August 21 Wall Street Journal, Nat Hentoff tells of a New York second grade teacher, Christine Pasarella, who uses John Coltrane as a classroom role model in her work of drawing out the intelligence of her students. He reports Mrs. Pasarella saying that when she played Coltrane’s recordings…
“…the children were drawn to the range of feelings in the songs as I gave them the backgrounds of the compositions.
“‘Alabama,’ for example, was about Martin Luther King and racial discrimination; and while ‘My Own True Love’ concerned a man and a woman, John Coltrane’s ‘Love Supreme’ expressed a love for humanity.”
Hentoff writes:
This reminded me that in one of my conversations with Coltrane he said he was searching for the sounds of what Buddhists call “Om,” which he described as the universal essence of all of us in the universe. He also told me regretfully, “I’ll never know what the listeners feel from my music, and that’s too bad.”
Ms. Passarella’s second-grade students, she says, would have told him how moved they were by not only the ballads “but the more avant-garde recordings, such as ‘Interstellar Space.’” She notes that, through her teaching, “I have discovered that young children have open, welcoming minds, and the more pure and emotional the music, the more they connect. Soon they were hooked on John Coltrane’s music.”
When the students learned that Coltrane’s home was not far from their school, they became even more interested. To read all of Hentoff’s column, click here.
Bud Shank
All About Jazz reports that Against The Tide, the documentary about alto saxophonist Bud
Shank, has won a major film making award. Rifftides discussed the film in April. From the AAJ story:
The Telly Awards honor the very best local, regional, and cable television commercials and programs, as well as the finest video and film productions, and work created for the Web.
To read it all, go here.





The nonagenarian pianist presented de Barros with every biographer’s hope, unrestricted access to his subject’s personal papers and nearly unrestricted access to her private thoughts. He made the most of it, turning exhaustive research and hundreds of hours of interviews into a true story with the sweep of a novel. From the early discovery of McPartland’s musical gift through her wartime service, her ecstatic and stormy marriage to Jimmy McPartland, her growth as a pianist, her deep affair with Joe Morello, and the radio show that made her a national figure, she has had a fascinating life. It makes a splendid read.
Mulligan’s Concert Jazz Band had three fewer musicians than most big jazz outfits. Its size permitted precision, flexibility and subtlety, yet the band had the power of sprung steel. In this concert from a half century ago, the CJB is as fresh as yesterday. Arrangements by Mulligan, Bob Brookmeyer, Al Cohn and Johnny Mandel set standards to which big band writers still aspire. Bassist Buddy Clark and drummer Mel Lewis inspired Mulligan, Brookmeyer, Conte Candoli, Gene Quill and Zoot Sims to some of the best soloing of their careers. This beautifully produced issue of the complete concert is a basic repertoire item.
I watched the Bud Shank DVD and treasure it.
May Bud play and live forever.