Cassandra Wilson, Loverly (Blue Note). After Blue Skies, Wilson seemed to walk away from
the standard repertoire. Twenty years later, we get her second collection of standard songs. It was worth the wait. Her relaxation, phrasing and idiosyncratic interpretations make this one of the vocal CDs of the year. Highlights: irony and boogaloo energy in “St. James Infirmary,” “The Very Thought of You” in duet with bassist Reginald Veal, the gentle swing and longing in “Wouldn’t it Be Loverly?” Pianist Jason Moran does some of his most accessible playing here. Minor non-musical matter: fire the art director who prints essential information in tiny black type on a dark blue background.





The nonagenarian pianist presented de Barros with every biographer’s hope, unrestricted access to his subject’s personal papers and nearly unrestricted access to her private thoughts. He made the most of it, turning exhaustive research and hundreds of hours of interviews into a true story with the sweep of a novel. From the early discovery of McPartland’s musical gift through her wartime service, her ecstatic and stormy marriage to Jimmy McPartland, her growth as a pianist, her deep affair with Joe Morello, and the radio show that made her a national figure, she has had a fascinating life. It makes a splendid read.
Mulligan’s Concert Jazz Band had three fewer musicians than most big jazz outfits. Its size permitted precision, flexibility and subtlety, yet the band had the power of sprung steel. In this concert from a half century ago, the CJB is as fresh as yesterday. Arrangements by Mulligan, Bob Brookmeyer, Al Cohn and Johnny Mandel set standards to which big band writers still aspire. Bassist Buddy Clark and drummer Mel Lewis inspired Mulligan, Brookmeyer, Conte Candoli, Gene Quill and Zoot Sims to some of the best soloing of their careers. This beautifully produced issue of the complete concert is a basic repertoire item.
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