Here’s something I’ve been saving for a slow day–that is, a day when I haven’t prepared a new posting. It’s Freddie Hubbard in 1962 at age twenty-four, getting famous with Art Blakey and the Jazz Messengers. To many, this was the Blakey band. It had Wayne Shorter, Curtis Fuller, Cedar Walton, Reggie Workman and Hubbard. Watch for Blakey’s smile when Hubbard tears into the second chorus of his solo with that beautifully placed allusion to ”Why Don’t You Do Right?”
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It’s too bad this is cut short after Hubbard, but with YouTube, you take what you get.
The nonagenarian pianist presented de Barros with every biographer’s hope, unrestricted access to his subject’s personal papers and nearly unrestricted access to her private thoughts. He made the most of it, turning exhaustive research and hundreds of hours of interviews into a true story with the sweep of a novel. From the early discovery of McPartland’s musical gift through her wartime service, her ecstatic and stormy marriage to Jimmy McPartland, her growth as a pianist, her deep affair with Joe Morello, and the radio show that made her a national figure, she has had a fascinating life. It makes a splendid read.
Mulligan’s Concert Jazz Band had three fewer musicians than most big jazz outfits. Its size permitted precision, flexibility and subtlety, yet the band had the power of sprung steel. In this concert from a half century ago, the CJB is as fresh as yesterday. Arrangements by Mulligan, Bob Brookmeyer, Al Cohn and Johnny Mandel set standards to which big band writers still aspire. Bassist Buddy Clark and drummer Mel Lewis inspired Mulligan, Brookmeyer, Conte Candoli, Gene Quill and Zoot Sims to some of the best soloing of their careers. This beautifully produced issue of the complete concert is a basic repertoire item.
Just the right touch for a slow day …
Oh, yeah!!!!!