• Home
  • About
    • Doug Ramsey
    • Rifftides
    • Contact
  • Purchase Doug’s Books
    • Poodie James
    • Take Five: The Public and Private Lives of Paul Desmond
    • Jazz Matters
    • Other Works
  • AJBlogs
  • ArtsJournal
  • rss

Rifftides

Doug Ramsey on Jazz and other matters...

Good Old Billy Taylor

May 26, 2008 by Doug Ramsey

Early in his career, pianist Billy Taylor made a difference in jazz by developing an individual
Taylor.jpgapproach to the use of chords. His concept fit well with that of the beboppers who in the second half of the 1940s were a new and powerful force in the music. Some swing musicians with open ears and open minds–notably Ben Webster–were also intrigued by Taylor’s full-bodied harmonic notions.

Taylor arrived in New York in 1942, fresh out of college, a devotee of Art Tatum. In 1944, he went to work for Webster, the great Duke Ellington tenor saxophonist. In 1949 and 1950, he was the house pianist at Birdland backing a variety of musicians, among them Charlie Parker, Dizzy Gillespie, Lester Young, Stan Getz and Milt Jackson. By 1951, his ideas and popularity had blossomed to the point where he graduated from sideman to leader of his own trio. Previously unreleased music by that group has shown up on Taylor’s web site. I’m going to give you a link to it, but those unfamiliar with how Taylor developed may be interested in a bit of background. Here is some of what I wrote in the booklet for the CD reissue of Billy Taylor Trio, a collection of pieces he recorded in 1952 and 1953.

Webster encouraged Taylor’s use of rich chords in accompaniment. Taylor was inspired harmonically by Duke Ellington’s piano introduction to “In a Mellotone,” which he heard when he was a student. “That wiped me out,” Billy says. “I said, ‘what’s he doing? So I figured it out. It was A-flat ninth in the left hand and an octave with a fifth, A-flat, E-flat and A-flat, in the right hand. I liked it and began fooling around with it, added a couple of things to it: one voicing in one hand and another voicing in the other.

“When I came to New York, that was a part of my approach. Most horn players said, ‘That’s in my way,’ because they were used to being accompanied around middle C, in the lower part of the piano. I was an octave higher. Ben was a former pianist. He liked it and encouraged me to do it.” Over the next decade, Taylor refined his chord-plus-octave style.

By the time he had realized his ambition to form a permanent trio and went into the Prestige studio in late 1952, the sophisticated technique was in his musical grain. By then, a Taylor harmonic invention might be built like this: B-flat, C-ninth, E and G or G-13th in the left hand, C, E, G and C in the right hand. “I was harmonically oriented,” he says, a masterpiece of understatement. “In those days a lot of these harmonies were not common. I was very proud that I was able to establish then.”

For a 1951 Taylor engagement at George Wein’s Storyville club in Boston, Taylor worked with
Mingus.jpgbassist Charles Mingus and drummer Marcus Foster. The music that surfaced recently was broadcast on a radio program hosted by another young man destined to become a jazz institution, the critic Nat Hentoff. To hear several pieces by the trio and Hentoff’s carefully scripted comments, go here, scroll to the bottom of the page and click on the start button on the video screen. I recommend at least one listening in which you concentrate on Mingus’s compelling bass lines. At the end of the Taylor trio performance, you’ll see a short biography that incorporates an interview by Ed Bradley of CBS’s 60 Minutes.Taylor 2.jpg

Taylor will be eighty-seven years old in July. He was scheduled to be at Teachers College, Columbia University, New York, this week to perform and to discuss his life, music and career, but the event has been postponed. For details, go here.

Share:

  • Click to share on Facebook (Opens in new window)
  • Click to share on Twitter (Opens in new window)
  • Click to email this to a friend (Opens in new window)
  • Click to print (Opens in new window)

Related

Filed Under: Main

Comments

  1. Mel Narunsky says

    May 29, 2008 at 8:08 am

    Thanks to your tip, I have just spent a most enjoyable afternoon in the video company of the great Billy Taylor, who has been an idol of mine since the mid 1950s. His performance of Body And Soul, in which he plays the first chorus with the left hand only, is something not to be missed.

  2. Jon Foley says

    June 4, 2008 at 11:18 am

    Nice session with the underrated Billy Taylor; yes, he’s very well known, but still underrated. Many other less-talented pianists seem to have gotten much more acclaim over the years.
    Nat Hentoff sounds like he sat down before the broadcast and said, Now how many multi-syllabic words and flowery phrases can I use tonight? In trying to sound learned, he sounds silly.
    And as I have written elsewhere, in spite of the spelling at the head of the video clip, that Boston drummer’s name is spelled MARQUIS Foster, not Marcus.

Doug Ramsey

Doug is a recipient of the lifetime achievement award of the Jazz Journalists Association. He lives in the Pacific Northwest, where he settled following a career in print and broadcast journalism in cities including New York, New Orleans, San Francisco, Los Angeles, Seattle, Portland, San Antonio, Cleveland and Washington, DC. His writing about jazz has paralleled his life in journalism... [Read More]

Rifftides

A winner of the Blog Of The Year award of the international Jazz Journalists Association. Rifftides is founded on Doug's conviction that musicians and listeners who embrace and understand jazz have interests that run deep, wide and beyond jazz. Music is its principal concern, but the blog reaches past... Read More...

Subscribe to RiffTides by Email

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Doug’s Books

Doug's most recent book is a novel, Poodie James. Previously, he published Take Five: The Public and Private Lives of Paul Desmond. He is also the author of Jazz Matters: Reflections on the Music and Some of its Makers. He contributed to The Oxford Companion To Jazz and co-edited Journalism Ethics: Why Change? He is at work on another novel in which, as in Poodie James, music is incidental.

Archives

Recent Comments

  • larry hollis on Armstrong And Ellington: Azalea
  • larry hollis on Armstrong And Ellington: Azalea
  • Svetlana on Armstrong And Ellington: Azalea
  • Don Conner on Armstrong And Ellington: Azalea
  • Garret Gannuch on Armstrong And Ellington: Azalea

Doug’s Picks

Monday Book Recommendation: Lilian Terry’s Jazz Friends

Lilian Terry, Dizzy Duke Brother Ray And Friends (Illinois) Lilian Terry’s book is full of anecdotes about her friendships with the musicians mentioned in the title—and dozens of others. Enjoying modest renown in Europe for her singing, Ms. Terry has also been involved in radio and television broadcasting and is a cofounder of the European […]

Share:

  • Click to share on Facebook (Opens in new window)
  • Click to share on Twitter (Opens in new window)
  • Click to email this to a friend (Opens in new window)
  • Click to print (Opens in new window)

Monday Recommendation: Oscar Peterson Plays 10 Composers

Oscar Peterson Plays (Verve) In this five-CD reissue, the formidable pianist plays pieces by ten composers who dominated American popular music for decades. Peterson had bassist Ray Brown and guitarist Barney Kessel, succeeded by Herb Ellis. It’s the trio that made Peterson famous with Jazz At The Philharmonic and–by way of the 10 albums reproduced […]

Share:

  • Click to share on Facebook (Opens in new window)
  • Click to share on Twitter (Opens in new window)
  • Click to email this to a friend (Opens in new window)
  • Click to print (Opens in new window)

Monday Recommendation: DIVA At 25

The DIVA Jazz Orchestra 25th Anniversary Project (ArtistShare) It has been a quarter of a century since Buddy Rich’s manager and relief drummer Stanley Kay found himself conducting a band whose drummer was young Sherrie Maricle. Intrigued by her playing, Kay set out to find whether there were other women jazz musicians of comparable talent. […]

Share:

  • Click to share on Facebook (Opens in new window)
  • Click to share on Twitter (Opens in new window)
  • Click to email this to a friend (Opens in new window)
  • Click to print (Opens in new window)

Monday Recommendation, Keith Jarrett Trio: After The Fall

Keith Jarrett, Gary Peacock, Jack DeJohnette, After The Fall (ECM) In 1998 Keith Jarrett was emerging from a siege of Chronic Fatigue Syndrome that had sidelined him for two years. As he felt better, he was uncertain how completely his piano skill and endurance had returned. He decided to test himself. He gathered his longtime […]

Share:

  • Click to share on Facebook (Opens in new window)
  • Click to share on Twitter (Opens in new window)
  • Click to email this to a friend (Opens in new window)
  • Click to print (Opens in new window)

Monday Recommendation: Gerard Kubik, Jazz Transatlantic

Gerhard Kubik, Jazz Transatlantic, Vol. I and Vol. II (University Press of Mississippi) The first volume of Kubik’s work is subtitled, “The African Undercurrent in Twentieth–Century Jazz Culture;” the second, “Jazz Derivatives and Developments in Twentieth-Century Africa.” The descriptions indicate the depth and scope of the Austrian ethnomusicologist’s research, which has taken him to Africa […]

Share:

  • Click to share on Facebook (Opens in new window)
  • Click to share on Twitter (Opens in new window)
  • Click to email this to a friend (Opens in new window)
  • Click to print (Opens in new window)

Monday Recommendation: Magris In Miami

Roberto Magris Sextet Live in Miami @ the WDNA Jazz Gallery (J Mood) Widely experienced and recorded in Europe, pianist Magris demonstrates in this club date that he knows how to reach an American audience steeped in Latin and Caribbean music. The front line has trumpeter Brian Lynch at his fieriest, and the imaginative young […]

Share:

  • Click to share on Facebook (Opens in new window)
  • Click to share on Twitter (Opens in new window)
  • Click to email this to a friend (Opens in new window)
  • Click to print (Opens in new window)

More Doug's Picks

Blogroll

All About Jazz
JerryJazzMusician
Carol Sloane: SloaneView
Jazz Beyond Jazz: Howard Mandel
The Gig: Nate Chinen
Wonderful World of Louis Armstrong
Don Heckman: The International Review Of Music
Ted Panken: Today is The Question
George Colligan: jazztruth
Brilliant Corners
Jazz Music Blog: Tom Reney
Brubeck Institute
Darcy James Argue
Jazz Profiles: Steve Cerra
Notes On Jazz: Ralph Miriello
Bob Porter: Jazz Etc.
be.jazz
Marc Myers: Jazz Wax
Night Lights
Jason Crane:The Jazz Session
JazzCorner
I Witness
ArtistShare
Jazzportraits
John Robert Brown
Night After Night
Do The Math/The Bad Plus
Prague Jazz
Russian Jazz
Jazz Quotes
Jazz History Online
Lubricity

Personal Jazz Sites
Chris Albertson: Stomp Off
Armin Buettner: Crownpropeller’s Blog
Cyber Jazz Today, John Birchard
Dick Carr’s Big Bands, Ballads & Blues
Donald Clarke’s Music Box
Noal Cohen’s Jazz History
Bill Crow
Easy Does It: Fernando Ortiz de Urbana
Bill Evans Web Pages
Dave Frishberg
Ronan Guilfoyle: Mostly Music
Bill Kirchner
Mike Longo
Jan Lundgren (Friends of)
Willard Jenkins/The Independent Ear
Ken Joslin: Jazz Paintings
Bruno Leicht
Earl MacDonald
Books and CDs: Bill Reed
Marvin Stamm

Tarik Townsend: It’s A Raggy Waltz
Steve Wallace: Jazz, Baseball, Life and Other Ephemera
Jim Wilke’s Jazz Northwest
Jessica Williams

Other Culture Blogs
Terry Teachout
DevraDoWrite
Alex Ross: The Rest Is Noise
On An Overgrown Path

Journalism
PressThink: Jay Rosen
Second Draft, Tim Porter
Poynter Online

Share:

  • Click to share on Facebook (Opens in new window)
  • Click to share on Twitter (Opens in new window)
  • Click to email this to a friend (Opens in new window)
  • Click to print (Opens in new window)

Related

Return to top of page

an ArtsJournal blog

This blog published under a Creative Commons license

Copyright © 2018 · Magazine Pro Theme on Genesis Framework · WordPress · Log in

loading Cancel
Post was not sent - check your email addresses!
Email check failed, please try again
Sorry, your blog cannot share posts by email.