Hugh Massingberd, the longtime obituaries editor of The Telegraph of London, died on Christmas day at the age of sixty. From 1986 to 1994, Massingberd converted the dullest page in the paper into one so entertaining that his obits were collected in six anthologies. In her obituary of Massingberd in today’s New York Times, Margalit Fox wrote that he spoke “frankly, wittily and often gleefully ill of the dead.” She provided translations of some of his terms.
To dispatch his subjects, Mr. Massingberd used the thinnest of rapiers, but also the sharpest. Cataclysmic understatement and carefully coded euphemism were the stylistic hallmarks of his page. Here, for the benefit of American readers, is an abridged Massingberd-English dictionary:
“Convivial”: Habitually drunk.
“Did not suffer fools gladly”: Monstrously foul-tempered.
“Gave colorful accounts of his exploits”: A liar.
“A man of simple tastes”: A complete vulgarian.
“A powerful negotiator”: A bully.
“Relished the cadences of the English language”: An incorrigible windbag.
“Relished physical contact”: A sadist.
“An uncompromisingly direct ladies’ man”: A flasher.
To read all of the Massingberd obituary, go here.





The nonagenarian pianist presented de Barros with every biographer’s hope, unrestricted access to his subject’s personal papers and nearly unrestricted access to her private thoughts. He made the most of it, turning exhaustive research and hundreds of hours of interviews into a true story with the sweep of a novel. From the early discovery of McPartland’s musical gift through her wartime service, her ecstatic and stormy marriage to Jimmy McPartland, her growth as a pianist, her deep affair with Joe Morello, and the radio show that made her a national figure, she has had a fascinating life. It makes a splendid read.
Mulligan’s Concert Jazz Band had three fewer musicians than most big jazz outfits. Its size permitted precision, flexibility and subtlety, yet the band had the power of sprung steel. In this concert from a half century ago, the CJB is as fresh as yesterday. Arrangements by Mulligan, Bob Brookmeyer, Al Cohn and Johnny Mandel set standards to which big band writers still aspire. Bassist Buddy Clark and drummer Mel Lewis inspired Mulligan, Brookmeyer, Conte Candoli, Gene Quill and Zoot Sims to some of the best soloing of their careers. This beautifully produced issue of the complete concert is a basic repertoire item.
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