Philip Larkin, All What Jazz (FSG). Perhaps I was too harsh when I called the late British poet and jazz critic a troglodyte. It must be admitted, however, that he found it difficult to say anything favorable about modern jazz without backing into the compliment. “I never liked bop,” Larkin wrote. It seemed to me a nervous and hostile music, at odds with the generous spirit of its predecessors. But it had its masters. One of these was Clifford Brown…” Still, even his most wrong-headed conclusions can make entertaining reading. It is getting harder and harder to find this book. Now might be the time to snag a copy.







Recent Comments
Doug Ramsey on Weekend Listening Tips (Bi-Coastal)
Amazon seems to be offering to serve as a middleman to provide Stridemonster! as an MP3 download for nine bucks or a CD for $80.00.Ted O'Reilly on Weekend Listening Tips (Bi-Coastal)
Please pass on to Bill Kirchner my thanks in highlighting the Stridemonster! album I produced. I was at the Bern concert and spoke...David on Weekend Listening Tips (Bi-Coastal)
Ken, I have that LP - make me an offer. The four pianists were seated back to back, apparently with only one mic on each...Doug Ramsey on Weekend Listening Tips (Bi-Coastal)
I'm afraid that it went the way of most of my other LPs before the last big move.Ken Dryden on Weekend Listening Tips (Bi-Coastal)
I've long been a collector of duo piano recordings, especially after hearing so many fun combinations on Marian McPartland's Piano Jazz. But do you have...