Strollin' With The Shoemakes And Holman

It's amazing; YouTube can cosponsor presidential debates and still find time to put new music on the internet. In the past few days, up popped two clips of vibraharpist Charlie Shoemake playing and his wife Sandi singing with the Bill Holman Orchestra.
Shoemake%20C.jpg Holman.jpg Shoemake%20S.jpg
Charlie Shoemake Bill Holman Sandi Shoemake

YouTube provides no information beyond the superimposed titles, so the Rifftides staff swung (heh-heh) into research mode. The video was taken in Los Angeles during the making of Charlie Shoemake's 1991 CD, Strollin', a fine entry in the discographies of the Shoemakes and Holman. Stan Levey, the late drummer turned photographer, produced and directed a videotape at a rehearsal for the recording session. It is the source of the YouTube clips. To see and hear the clips, go here and here. The tenor saxophone soloist on "I'll Never Stop Loving You" is Pete Christlieb.

Alerting me to the clips, Charlie Shoemake reminded me that I wrote the album notes for Strollin'. I looked them up and, as Paul Desmond used to say, didn't have to cough too often during the playback. Here is a paragraph about Shoemake the teacher.

Shoemake goes a long way toward putting to rest the popular notion that jazz can be learned but not taught. When he came off the road in 1973 after six years with George Shearing, he settled down in Los Angeles to teach. For hundreds of musicians, he has solved the puzzles of improvisation. His system includes study of the solos of, among others, Charlie Parker, Fats Navarro and Hank Mobley. These were musicians for whom chords comprised territory to be won through exploration. Studying their solos does not mean memorizing notes in the light of the harmonic possibilities that led to their choice. It means learning to apply that knowledge at the speed of thought so that the student can make choices of notes and execute them with coherence on his instrument in improvised performance, often at rapid tempos while observing a time feeling that grows out of a communal pulse.

What's more, he wrote a book about it.

On the CD and in the YouTube clips, Charlie Shoemake demonstrates that, sometimes, those who teach, can. And, as it says in those Strollin' liner notes, Sandi Shoemake displays "her control, her intonation and the meaning she imparts to lyrics." Holman reminds us, if a reminder is needed, that he is the eminence grise of modern arrangers, with a magnificent band that keeps helping him prove it. In addition to Christlieb, the 1991 version of the Holman band was loaded with stars including Lanny Morgan, Jeff Hamilton, Andy Martin, Bob Enevoldsen, Bob Summers and Carl Saunders.

July 25, 2007 1:05 AM | | Comments (1)

Categories:

1 Comments

Today's world includes more of "those who can play" teaching than ever before. With the shrinking number of experimental stages for jazz, the university has become a new proving ground. Many world class jazz musicians hold teaching positions and many educators hold impressive jazz performance skills. I think that the idea of jazz education as a novelty has passed.

It sounds like Mr. Shoemake was imparting many modern jazz pedagogical ideas long before jazz education came into its own. He should be applauded for the forward thinking. In reality, jazz has always survived by the greats passing on information like this.

I'm enjoying the clips, thanks for turning me on to the Shoemake family.

Leave a comment

About this Entry

This page contains a single entry by Rifftides published on July 25, 2007 1:05 AM.

Poodie James was the previous entry in this blog.

Ooh Shoobee Doobee is the next entry in this blog.

Find recent content on the main index or look in the archives to find all content.

AJ Ads

Introducing
AJ Arts Blog Ads

Now you can reach the most discerning arts blog readers on the internet. Target individual blogs or topics in the ArtsJournal ad network.

Advertise Here

AJ Blogs

AJBlogCentral | rss

culture
About Last Night
Terry Teachout on the arts in New York City
Artful Manager
Andrew Taylor on the business of arts & culture
blog riley
rock culture approximately
CultureGulf
Rebuilding Gulf Culture after Katrina
Dewey21C
Richard Kessler on arts education
diacritical
Douglas McLennan's blog
Flyover
Art from the American Outback
Life's a Pitch
For immediate release: the arts are marketable
Mind the Gap
No genre is the new genre
Rockwell Matters
John Rockwell on the arts
Straight Up |
Jan Herman - arts, media & culture with 'tude

dance
Foot in Mouth
Apollinaire Scherr talks about dance
Seeing Things
Tobi Tobias on dance et al...

jazz
Jazz Beyond Jazz
Howard Mandel's freelance Urban Improvisation
ListenGood
Focus on New Orleans. Jazz and Other Sounds
Rifftides
Doug Ramsey on Jazz and other matters...

media
Out There
Jeff Weinstein's Cultural Mixology
Serious Popcorn
Martha Bayles on Film...

classical music
The Future of Classical Music?
Greg Sandow performs a book-in-progress
On the Record
Exploring Orchestras w/ Henry Fogel
Overflow
Harvey Sachs on music, and various digressions
PostClassic
Kyle Gann on music after the fact
Sandow
Greg Sandow on the future of Classical Music
Slipped Disc
Norman Lebrecht on Shifting Sound Worlds

publishing
book/daddy
Jerome Weeks on Books
Quick Study
Scott McLemee on books, ideas & trash-culture ephemera

theatre
Drama Queen
Wendy Rosenfield: covering drama, onstage and off
lies like truth
Chloe Veltman on how culture will save the world
Stage Write
Elizabeth Zimmer on time-based art forms

visual
Aesthetic Grounds
Public Art, Public Space
Artopia
John Perreault's art diary
CultureGrrl
Lee Rosenbaum's Cultural Commentary
Modern Art Notes
Tyler Green's modern & contemporary art blog
Creative Commons License
This weblog is licensed under a Creative Commons License.