Graham Collier, Hoarded Dreams (Cuneiform). Here we have further, but not recent , adventures of the pioneering British composer, arranger and leader. Hoarded Dreams is a seven-part suite commissioned by the Bracknell Jazz Festival in 1983. Following its one performance by a band of European stars plus trumpeters Kenny Wheeler (Canadian) and Ted Curson (American), the music has languished in a tape archive for twenty-four years. Collier is in a league with George Russell and Charles Mingus in the demanding discipline of writing for large ensembles populated by musicians whose improvisation goes beyond the fringe of standard harmony.
Graham Collier
The looseness and cogency in Collier’s arrangements are in ideal balance to contain the wildness, daring and–it must be emphasized–good humor of the soloists. There is no trace of the anger and willfull distortion that marred so much avant garde playing in the final decades of the twentieth century. The quality of solos and interchanges by familiar players like Curson, Wheeler, trumpeter Tomasz Stanko and the baritone sax powerhouse John Surman is equaled by musicians who deserve to be better known outside the British Isles. Among them are guitarist Ed Speight, drummer Ashley Brown, tenor saxophonist Art Themen and trombonist Conny Bauer. Bauer manages to combine elements of Bill Harris and Roswell Rudd, to startling effect. There is so much happening in this music, I suggest that you give it two or three hearings to begin to absorb its dynamics, complexity and subtlety and to sort out which parts are written and which improvised. It’s worth your time. For thoughts on a previous release by Collier, go here.