CD Catchup, Part 2: André Previn

André Previn, Alone (Emarcy). When in the mid-1960s Previn committed himself to classical conducting, composing and performing, he did not leave jazz behind. Technique, taste and touch intact, he plays thirteen pieces using his range of dynamics, rhythmic subtlety, harmonic sensibility and capacity for surprise. He recalls a lick or two from his period of intense jazz involvement in the 1950s, but the greater interest here is Previn's depth of exploration within the chord structures of familiar songs including "Angel Eyes," "Skylark" and "It Might As Well Be Spring."

In a lovely moment in "Bewitched, Bothered and Bewildered," he sets up tension with riff-like repetition then provides release with a key change. His abstract treatment of "I Can't Get Started" encompasses passages of the lightning finger work that reflects his classical background. The repertoire includes an original blues; "Darkest Before The Dawn," a Previn collaboration with Johnny Mercer; and Previn's 1966 hit song "You're Gonna Hear From Me." If the last title implies further solo adventures, they will be welcome. This is Previn's best solo album since his 1960 Harold Arlen collection.

July 2, 2007 1:58 PM | | Comments (0)

Categories:

Leave a comment

About this Entry

This page contains a single entry by Rifftides published on July 2, 2007 1:58 PM.

A Little Blues With Brubeck And Desmond was the previous entry in this blog.

Compatible Independence Day Quotes is the next entry in this blog.

Find recent content on the main index or look in the archives to find all content.

AJ Ads

Introducing
AJ Arts Blog Ads

Now you can reach the most discerning arts blog readers on the internet. Target individual blogs or topics in the ArtsJournal ad network.

Advertise Here

AJ Blogs

AJBlogCentral | rss

culture
About Last Night
Terry Teachout on the arts in New York City
Artful Manager
Andrew Taylor on the business of arts & culture
blog riley
rock culture approximately
CultureGulf
Rebuilding Gulf Culture after Katrina
Dewey21C
Richard Kessler on arts education
diacritical
Douglas McLennan's blog
Flyover
Art from the American Outback
Life's a Pitch
For immediate release: the arts are marketable
Mind the Gap
No genre is the new genre
Performance Monkey
David Jays on theatre and dance
Plain English
Paul Levy measures the Angles
Rockwell Matters
John Rockwell on the arts
Straight Up |
Jan Herman - arts, media & culture with 'tude

dance
Foot in Mouth
Apollinaire Scherr talks about dance
Seeing Things
Tobi Tobias on dance et al...

jazz
Jazz Beyond Jazz
Howard Mandel's freelance Urban Improvisation
ListenGood
Focus on New Orleans. Jazz and Other Sounds
Rifftides
Doug Ramsey on Jazz and other matters...

media
Out There
Jeff Weinstein's Cultural Mixology
Serious Popcorn
Martha Bayles on Film...

classical music
The Future of Classical Music?
Greg Sandow performs a book-in-progress
On the Record
Exploring Orchestras w/ Henry Fogel
Overflow
Harvey Sachs on music, and various digressions
PostClassic
Kyle Gann on music after the fact
Sandow
Greg Sandow on the future of Classical Music
Slipped Disc
Norman Lebrecht on Shifting Sound Worlds

publishing
book/daddy
Jerome Weeks on Books
Quick Study
Scott McLemee on books, ideas & trash-culture ephemera

theatre
Drama Queen
Wendy Rosenfield: covering drama, onstage and off
lies like truth
Chloe Veltman on how culture will save the world

visual
Aesthetic Grounds
Public Art, Public Space
Artopia
John Perreault's art diary
CultureGrrl
Lee Rosenbaum's Cultural Commentary
Modern Art Notes
Tyler Green's modern & contemporary art blog
Creative Commons License
This weblog is licensed under a Creative Commons License.