Over the next few postings, the Rifftides staff will attempt the impossible–to catch up with recordings. The best I can do is single out a few and offer observations in hopes that they will provide Rifftiders guideposts as they decide which CDs in the endless stream are worth their time and money. The observations will be brief. This time, three saxophonists:
Michael Brecker, Pilgrimage (Heads Up). With his disease in what turned out to be temporary remission, six months before he died Brecker played like a man who had found new life. He put himself in the studio with five musicians he adored–Herbie Hancock, Brad Mehldau, Pat Metheny, John Patitucci and Jack DeJohnette–and delivered power, humor and unremitting creativity. The swaggering “Tumbleweed” is a hoot. But, then, so is the whole album. What a goodbye.
Zoot Sims Plays Tenor & 4 Altos (Fresh Sound). The release date is a few days away, but you may want to get in line now. Zoot Sims Plays 4 Altos all but evaporated as an LP a few years after its release in 1957. Devotees of Sims and George Handy have been clamoring for its reissue ever since. Mint copies of the LP have sold well into three figures. Based on Sims’ initial improvisation, Handy brilliantly scored arrangements for four alto saxophones. Sims then overdubbed the additional three parts. It was a thoroughly musical tour de force. The CD also includes the 1956 album Zoot!, with Sims on alto and his mainstay tenor, one horn at a time. Handy plays piano on both albums. Trumpeter Nick Travis, bassist Wilbur Ware and drummer Osie Johnson are on Zoot! Knobby Totah and Nick Stabulas are the bassist and drummer on 4 Altos. This is a reissue event.
Clifford Jordan in the World (Strata-East). On CD at last, this 1969 recording follows up the late tenor saxophonist’s Glass Bead Games. It doesn’t have quite the cohesive sweep of that equally rare recording, but it has Jordan at a high level matched by sidemen Kenny Dorham, Don Cherry, Julian Priester, Wynton Kelly, Wilbur Ware, Richard Davis and Albert “Tootie” Heath–an eminent cast of adventurers finding the sweet spot between bebop and free jazz. It is further proof, if proof is needed, that Jordan was one of the great tenor men.
The next few days will include a business trip. I’ll try to work in a few more in this series of CD alerts







Recent Comments
Carlita Kaunda on Meredith d’Ambrosio: A Plug—And A Protest
Yes, and likewise those cowards who use the internet to make foolish and erroneous statements at various blogsites but are too cowardly to allow comments...Brew on Meredith d’Ambrosio: A Plug—And A Protest
Honestly, I don't give a damn about that kind of "review", written by anonymous cowards who wouldn't be able to utter their unfair criticism face-to-face...Doug Moody on Meredith d’Ambrosio: A Plug—And A Protest
Not sure what recording Lamont Cranston could have been listening to but to my ears "By Myself" is simply superb. I've been a fan...Jim Brown on The Oak Room Farewell
History continues to repeat itself, this time in the form of middle management insensitivity. Something like twenty years ago, a local acoustic consulting firm...Brew on When Saindon Met Locke
Pee Wee has been discussed here, at the AAJ forum, quite extensively, and a nice picture with her/ him is shown at the bottom of...