Correspondence: On Tony Scott

After reading the Rifftides remembrance of Tony Scott, Jair-Rohm Parker Wells sent a message from Stockholm. Mr. Wells discusses a facet of Scott's musical life about which few people may have known.

I'm a bass player. I played with Tony in Germany in the mid-seventies and then in the US in the early 80s. There are two reasons i feel compelled to leave a comment here. The first is, Tony's graduation didn't cause me to remember him again. I never forgot him. During the last couple of years, i was trying to get together with him to do some new music. After tracing him through the Internet i set about nagging him to do a project with me. The other reason for my taking up bandwidth here is to mention something i never see in any of the biographical info on Tony. Tony played clarinet in a New Jersey based "Avant-Rock" band that i was in called "DP and the Grays". We toured in the north-eastern US with this band during the early 1980s.

Tony was something of a mentor to the band's leader and guitarist, Dani Petroni. The story was they met when Dani was playing in the streets in Rome. When Dani got back to the states and got his band together and a record deal, he called Tony and asked him to be in the band. Imagine what a surprise it was to me when i showed up to a gig and he was there. The band only released one LP which was recorded before Tony entered the band (Frank Lowe is on reeds on the album). We played all of the significant regional clubs of the time, CBGBs, The Stone Pony, Maxwell's, etc. Tony Scott was an electrifying musician who elevated any and every musical situation he found himself in. It's a shame that his playing with DP and the Grays wasn't properly documented. I'm sure that somewhere out there are concert bootlegs of Tony Scott ripping it up. He is still the only musician i have ever heard who made a clarinet sound more ferocious than an over-driven guitar. It was a dimension of the multi-faceted Tony Scott that i feel privileged to have experienced first-hand.

Jair-Rohm Parker Wells

April 14, 2007 1:05 AM | | Comments (1)

Categories:

1 Comments

Bassist Wells comments, "Tony's graduation didn't cause me to remember him again. I never forgot him."

I will go so far as to say that I don't think anyone who ever heard and saw Tony perform would forget him either.

Briefly, on August 26, 1957, in Durban, South Africa, I saw Tony at two different venues: in the afternoon at a recording session at the South African Broadcasting Studios; and again in the evening at a concert at the Shah Jehan Cinema which temporarily became multi-racial, without any problems.

I will never forget this day as long as I live: the memory of his musicianship, his charisma, his presence will never leave me.

Leave a comment

About this Entry

This page contains a single entry by Rifftides published on April 14, 2007 1:05 AM.

Recent CDs In Brief was the previous entry in this blog.

Correspondence: The Future Of OJCs is the next entry in this blog.

Find recent content on the main index or look in the archives to find all content.

AJ Ads

Introducing
AJ Arts Blog Ads

Now you can reach the most discerning arts blog readers on the internet. Target individual blogs or topics in the ArtsJournal ad network.

Advertise Here

AJ Blogs

AJBlogCentral | rss

culture
About Last Night
Terry Teachout on the arts in New York City
Artful Manager
Andrew Taylor on the business of arts & culture
blog riley
rock culture approximately
CultureGulf
Rebuilding Gulf Culture after Katrina
Dewey21C
Richard Kessler on arts education
diacritical
Douglas McLennan's blog
Flyover
Art from the American Outback
Life's a Pitch
For immediate release: the arts are marketable
Mind the Gap
No genre is the new genre
Rockwell Matters
John Rockwell on the arts
Straight Up |
Jan Herman - arts, media & culture with 'tude

dance
Foot in Mouth
Apollinaire Scherr talks about dance
Seeing Things
Tobi Tobias on dance et al...

jazz
Jazz Beyond Jazz
Howard Mandel's freelance Urban Improvisation
ListenGood
Focus on New Orleans. Jazz and Other Sounds
Rifftides
Doug Ramsey on Jazz and other matters...

media
Out There
Jeff Weinstein's Cultural Mixology
Serious Popcorn
Martha Bayles on Film...

classical music
The Future of Classical Music?
Greg Sandow performs a book-in-progress
On the Record
Exploring Orchestras w/ Henry Fogel
Overflow
Harvey Sachs on music, and various digressions
PostClassic
Kyle Gann on music after the fact
Sandow
Greg Sandow on the future of Classical Music
Slipped Disc
Norman Lebrecht on Shifting Sound Worlds

publishing
book/daddy
Jerome Weeks on Books
Quick Study
Scott McLemee on books, ideas & trash-culture ephemera

theatre
Drama Queen
Wendy Rosenfield: covering drama, onstage and off
lies like truth
Chloe Veltman on how culture will save the world
Stage Write
Elizabeth Zimmer on time-based art forms

visual
Aesthetic Grounds
Public Art, Public Space
Artopia
John Perreault's art diary
CultureGrrl
Lee Rosenbaum's Cultural Commentary
Modern Art Notes
Tyler Green's modern & contemporary art blog
Creative Commons License
This weblog is licensed under a Creative Commons License.