Thanks to Bill Kirchner, who calls me to account for an error in the previous item, Boxes, about Cannonball Adderley’s tenure with Miles Davis.
Cannonball was a member of the Miles Davis sextet from the gitgo–December 1957. Cannonball had been working for Miles since the fall of 1957, and Miles then rehired Philly Joe Jones, Coltrane, and Red Garland. As you know, Bill Evans replaced Garland in the spring of 1958, followed shortly thereafter by Jimmy Cobb replacing Jones.
It may be that on the Café Bohemia pieces you mentioned, Cannonball was unavailable that
evening. On the TV show that Miles did for Robert Herridge in 1959, Cannonball was not
present because of migraines that he suffered periodically. (You’ll note that he nonetheless
is listed in the show’s credits.)
To see and hear Davis, John Coltrane, Wynton Kelly, Paul Chambers and Jimmy Cobb give a first-rate performance of “So What” from the Herridge broadcast, go here. The entire half-hour program, or all of it that survives, is available on DVD.
Adderley and Evans continued the mutual admiration society they formed on Davis’s Kind of Blue sextet. In 1961, after they had moved on to be leaders of their own groups, they recorded Know What I Mean? with bassist Percy Heath and drummer Connie Kay of the Modern Jazz Quartet. A highlight in the discographies of both men, the CD has one of the most charming versions of Evans’s “Waltz for Debby” and additional takes of the title tune and Gershwin’s “Who Cares?” Unlike many alternate takes, these bonus tracks are as good as the originally released cuts.







Recent Comments
Brew on Recent Listening: The Tierney Sutton Band
Tierney Sutton is one of the most talented jazz vocalists on the planet; a true musician's singer with good taste. It's very brave of her,...Carlita Kaunda on Meredith d’Ambrosio: A Plug—And A Protest
Yes, and likewise those cowards who use the internet to make foolish and erroneous statements at various blogsites but are too cowardly to allow comments...Brew on Meredith d’Ambrosio: A Plug—And A Protest
Honestly, I don't give a damn about that kind of "review", written by anonymous cowards who wouldn't be able to utter their unfair criticism face-to-face...Doug Moody on Meredith d’Ambrosio: A Plug—And A Protest
Not sure what recording Lamont Cranston could have been listening to but to my ears "By Myself" is simply superb. I've been a fan...Jim Brown on The Oak Room Farewell
History continues to repeat itself, this time in the form of middle management insensitivity. Something like twenty years ago, a local acoustic consulting firm...