Remember Katrina?

In the 1950s, the New Orleans saxophonist Al Belletto had a surge of international success with his sextet. A contemporary of Al Hirt and Pete Fountain, Belletto grew up steeped in traditional jazz as a clarinetist. But like Ellis Marsalis, Alvin Batiste, Ed Blackwell and other young New Orleans musicians, he was entranced by the music of Charlie Parker, Dizzy Gillespie and Bud Powell. He became an alto saxophonist and formed a small band whose members sang every bit as well as they played. For a time, they were a part of Woody Herman's touring big band. They recorded for Capitol, Bethlehem and King and performed throughout North and South America. But Belletto couldn't get New Orleans out of his system. The town effects people that way. In the 1960s, he left the road and returned home.

Belletto swam against New Orleans' conservative musical preferences and turned the tide. Playing modern jazz, he developed an audience and established himself as a local favorite. He became a guru to generations of young musicians. They learned as they passed through his bands, and they invariably address him as "Coach." Now and then he made CDs, including this splendid big band album. He was content to spend the rest of his life in the city whose call he couldn't resist. The Louisiana Jazz Federation named Belletto its artist of the year.

Then Katrina devastated New Orleans. Belletto retreated to his weekend place in Bay St. Louis, Mississippi, but it took a heavy hit and could not be a refuge for long. His house in New Orleans was filled with eight-and-a-half feet of water and mud. Everything in it was ruined. After being submerged for weeks, two of his alto saxes have been repaired, but he says they'll never be the same. Recordings, sheet music, memorabilia of his long career--all are gone. Belletto and his longtime companion Linda moved in with his son and his family in Dallas. After several months came a painful decision; they would not move back to New Orleans. They were unable to handle what it would take physically and emotionally to get started again amid the wreckage. Now, they have their own house in Dallas. Settling in, adjusting to the idea of being exiles, they are filled with longing for their city, its history, its incomparable culture and atmosphere, longing for what New Orleans was before the storm.

I thought of Al Belletto and Linda as I read Howard Reich's Chicago Tribune report about Katrina obliterating substantial portions of the documentation of New Orleans music. To read Reich's piece, go here. Be sure to visit the photo gallery and interactive features of the article. As clarinetist Michael White takes Reich on a video tour through the debris-filled hulk of his house, you'll get an impression of what White, Belletto and thousands of other New Orleanians went through after Katrina came to call.

As we reported soon after Katrina, in the wake of the hurricane con artists circled like a school of sharks, claiming that they would help musicians recover and re-establish. Most of the scammers have moved on to prey on victims of other disasters, but be cautious. Check out relief organizations before you give. Be sure that your money goes where you want it to go. Musicians displaced, disrupted or impoverished by the storm still need help, and will for a long time. The New Orleans Musicians Hurricane Relief Fund is an authenticated 501(c)(3) organization that directs to musicians all of the funds it receives. Click on the link above to go to the NOMHRF web site and make a donation. Belletto is getting by in Dallas. White is living in a FEMA trailer. Others aren't as fortunate.