Charlie Barnet, Town Hall Concert (HEP). As the swing era wound down, Barnet was one of the leaders hoping to keep big bands alive by pleasing the dancers while accomodating bebop developments. He had the right combination of elements; his adaptation of Elllingtonia, a smattering of bop-oriented young musicians, great arrangements by Andy Gibson, Neal Hefti and Billy May and–far from least–his own gutsy saxophone solos and charisma. The December, 1947, Town Hall concert is one of his enduring monuments. The trumpet work of 27-year-old Clark Terry–now thrilling, now endearing–is fresh fifty-nine years later.







Recent Comments
Carlita Kaunda on Meredith d’Ambrosio: A Plug—And A Protest
Yes, and likewise those cowards who use the internet to make foolish and erroneous statements at various blogsites but are too cowardly to allow comments...Brew on Meredith d’Ambrosio: A Plug—And A Protest
Honestly, I don't give a damn about that kind of "review", written by anonymous cowards who wouldn't be able to utter their unfair criticism face-to-face...Doug Moody on Meredith d’Ambrosio: A Plug—And A Protest
Not sure what recording Lamont Cranston could have been listening to but to my ears "By Myself" is simply superb. I've been a fan...Jim Brown on The Oak Room Farewell
History continues to repeat itself, this time in the form of middle management insensitivity. Something like twenty years ago, a local acoustic consulting firm...Brew on When Saindon Met Locke
Pee Wee has been discussed here, at the AAJ forum, quite extensively, and a nice picture with her/ him is shown at the bottom of...