Quite apart from nailing down a definition of swing, Ornette Coleman agreed to talk with Ben Ratliff of The New York Times about the nature of music itself. To his credit, Ratliff got the perenially unorthodox musician to emerge, even briefly, from the cloud of vagueness in which he has customarily hidden from attempts to get him to be specific about art in general, and his in particular. He mentioned to Ratliff his early saxophone influence, Charlie Parker.
With regard to his Parker worship, he kept the phrasing but got rid of the sequences. “I first tried to ban all chords,” he said, “and just make music an idea, instead of a set pattern to know where you are.”
The full report is in Friday morning’s Times.