I rarely pass along promotional announcements, but this one is too intriguing not to deserve an exception.
STANLEY CROUCH, GEORGE AVAKIAN AND MICHAEL JAMES WITH CHRISTOPHER LYDON TONIGHT AT 7 PM (EASTERN DAYLIGHT TIME) TO DISCUSS DUKE ELLINGTON, NEWPORT JAZZ AND THE AMERICAN CENTURY
On Open Source On WGBH 89.7
Open Source airs Monday through Thursday from 7pm-8 pm on WGBH 89.7 and streams at wgbh.org/listen
On July 7, 1956, Duke Ellington played the Newport Jazz Festival. Paul Gonsalves soloed for six minutes on “Diminuendo and Crescendo in Blue,” the crowd exploded, an album was cut and our century – the American century, the Jazz century – found its high point. Christopher Lydon says, “Fifty summers after the Newport Suite and Paul Gonzalves’ 27 choruses of blues, we’re going savor a golden moment in American life with (music critic and author) Stanley Crouch; the Columbia record producer George Avakian; the Newport impresario then and now, George Wein; and with Duke Ellington’s ever-eloquent and all-witnessing nephew Michael James.”
Crouch, Avakian and James are articulate men of, shall we say, firm opinions. Lydon is a skilled interviewer. It would be surprising if they were boring on the subject of Ellington.







Recent Comments
Doug Ramsey on Weekend Listening Tips (Bi-Coastal)
Amazon seems to be offering to serve as a middleman to provide Stridemonster! as an MP3 download for nine bucks or a CD for $80.00.Ted O'Reilly on Weekend Listening Tips (Bi-Coastal)
Please pass on to Bill Kirchner my thanks in highlighting the Stridemonster! album I produced. I was at the Bern concert and spoke...David on Weekend Listening Tips (Bi-Coastal)
Ken, I have that LP - make me an offer. The four pianists were seated back to back, apparently with only one mic on each...Doug Ramsey on Weekend Listening Tips (Bi-Coastal)
I'm afraid that it went the way of most of my other LPs before the last big move.Ken Dryden on Weekend Listening Tips (Bi-Coastal)
I've long been a collector of duo piano recordings, especially after hearing so many fun combinations on Marian McPartland's Piano Jazz. But do you have...