Comment: Ferguson At The Changing Of The Guard

Thanks for your wonderful appreciation of Maynard Ferguson. In many ways, Ferguson transcended jazz and big bands. His high-octane enthusiasm and optimism captured the spirit of an entire generation of post-war Americans who believed anything and everything was possible and that the only way to go was flat out. Despite Maynard's massive musical ego, he never made anyone feel badly and encouraged everyone he encountered to be better--as a person and as a musician.

One of my favorite Maynard appearances wasn't an appearance at all. That's Ferguson (and Sal Salvador) playing on Kenton's "Invention for Guitar and Trumpet" in the film Blackboard Jungle (1955), which is heard just before the high school thugs smash their teacher's prized jazz platters. The clash between the generations in this camp film was somewhat prescient given that the rock culture ultimately would wind up "smashing" the entire jazz scene some 10 years later. What's especially fascinating is that Maynard's energy level and prowess in "Invention" and Bill Haley's intensity in "Rock Around the Clock" (the film's opening theme) aren't that different. Both are generational clarion calls. Here, in this film, you can actually hear the continental divide where jazz and rock/r&b met, and Maynard was there. There, before your eyes, the adult appreciation of virtuosity gives way to the teenage demand for a big beat. I often wondered what Maynard thought of Blackboard Jungle.

Regarding the "hen's teeth" Maynard Ferguson Mosaic box and the entire Roulette catalogue, it almost seems as if some entity is sitting on the re-release of the catalogue to keep eBay auction prices high. Perhaps Michael Cuscuna at Mosaic can shed light on why Maynard's Roulette catalogue is not in print and when that might be changed. Those babies could use a CD remastering.

Marc Myers

August 26, 2006 3:09 PM | | Comments (2)

Categories:

2 Comments

When I was growing up in Toledo (Ohio) and playing lots of jobs in
high school and college, the myth about MF that was passed along in
our brass-playing circles was that he had some freak accident when he
was growing up which damaged his chops. So it was that the story came
to be that MF had some weird "nerve damage" which allowed him to
"punish" his chops in such a way that he could play in the
stratosphere without end.

A grain of salt here to be sure but we should remember that MF was a
wonderful valve-trombone and bass trumpet player and that he could
switch to the lower instrument (s) and larger mouthpiece in mid-
sentence/mid-phrase so to speak. It always seemed that he could do
this seamlessly and that there was never an embouchure adjustment.
The reality is that MF was a wonderful brass player and that he
understood the nature of the instruments he was playing...and that
his understanding and his deep sense of how the instruments worked
and should be approached, always carried him.

Let's give the guy his due. He did so many things well--and he cared
so deeply about young musicians--it's almost hard to believe. But
believe we should because he did all of it and more.

Thanks for the great appreciation of Maynard. The newest episode of The Jason Crane Show features a 2004 interview I did with Maynard. The interview covers quite a bit of his career. Your readers might like to check it out at thejasoncraneshow.com.

Leave a comment

About this Entry

This page contains a single entry by Rifftides published on August 26, 2006 3:09 PM.

Michael Cuscuna Responds was the previous entry in this blog.

Steve Kuhn is the next entry in this blog.

Find recent content on the main index or look in the archives to find all content.

AJ Ads

Introducing
AJ Arts Blog Ads

Now you can reach the most discerning arts blog readers on the internet. Target individual blogs or topics in the ArtsJournal ad network.

Advertise Here

AJ Blogs

AJBlogCentral | rss

culture
About Last Night
Terry Teachout on the arts in New York City
Artful Manager
Andrew Taylor on the business of arts & culture
blog riley
rock culture approximately
CultureGulf
Rebuilding Gulf Culture after Katrina
Dewey21C
Richard Kessler on arts education
diacritical
Douglas McLennan's blog
Flyover
Art from the American Outback
Life's a Pitch
For immediate release: the arts are marketable
Mind the Gap
No genre is the new genre
Rockwell Matters
John Rockwell on the arts
Straight Up |
Jan Herman - arts, media & culture with 'tude

dance
Foot in Mouth
Apollinaire Scherr talks about dance
Seeing Things
Tobi Tobias on dance et al...

jazz
Jazz Beyond Jazz
Howard Mandel's freelance Urban Improvisation
ListenGood
Focus on New Orleans. Jazz and Other Sounds
Rifftides
Doug Ramsey on Jazz and other matters...

media
Out There
Jeff Weinstein's Cultural Mixology
Serious Popcorn
Martha Bayles on Film...

classical music
The Future of Classical Music?
Greg Sandow performs a book-in-progress
On the Record
Exploring Orchestras w/ Henry Fogel
Overflow
Harvey Sachs on music, and various digressions
PostClassic
Kyle Gann on music after the fact
Sandow
Greg Sandow on the future of Classical Music
Slipped Disc
Norman Lebrecht on Shifting Sound Worlds

publishing
book/daddy
Jerome Weeks on Books
Quick Study
Scott McLemee on books, ideas & trash-culture ephemera

theatre
Drama Queen
Wendy Rosenfield: covering drama, onstage and off
lies like truth
Chloe Veltman on how culture will save the world
Stage Write
Elizabeth Zimmer on time-based art forms

visual
Aesthetic Grounds
Public Art, Public Space
Artopia
John Perreault's art diary
CultureGrrl
Lee Rosenbaum's Cultural Commentary
Modern Art Notes
Tyler Green's modern & contemporary art blog
Creative Commons License
This weblog is licensed under a Creative Commons License.