Everywhere, Part 2

Here are more recommended CDs by jazz artists not from the United States.

Gilad Atzmon, Musik: Rearranging the 20th Century (Enja). It is unlikely that Atzmon can separate himself from Israeli-Palestinian politics--or that he wishes to--but this CD is more about music and less about ideologies than, say, his Exile. The context of the album is, I suppose, world music, but it has plenty of Atzmon's fearsome, lovely, sax and clarinet work. I have heard private recordings of his straight-ahead jazz tenor playing. Why isn't that on CD?

Watch Out! Svensk Jazzhistoria,Vol. 10 (Caprice). The final box set in Caprice's monumental survey of jazz in Sweden from its beginnings covers 1965-1969. It has Bengt Hallberg, Rolf Ericson, Monica Zetterlund, dozens of other Swedes, and distinguished visitors like Red Mitchell, George Russell and Don Cherry.

Ed Bickert, Out of the Past (Sackville). This comes from 1976, when guitarist Bickert, bassist Don Thompson and drummer Terry Clarke constituted the rhythm section of what Paul Desmond affectionately called his "Canadian Group." Issued for the first time, this CD by the trio reaffirms the reasons for Desmond's affection.

Moutin Reunion Quartet, Red Moon (Sunnyside). It opens with an exhilirating duet on "Le Mer" between French bassist Francois Moutin and his drummer brother Louis. When pianist Baptiste Trotignon and saxophonist Rick Margitza join for the title tune, the energy level--improbably--increases.

David Dorůžka, Hidden Paths (Cube Metier). A young Czech who studied at the Berklee School of Music in Boston and is back in Prague, Dorůžka is an abstractionist who often fragments or floats his lines. He can also dig in, as he does on Monk's "Evidence." A guitarist to watch.

Niels-Henning Ørsted Pedersen, The Bass in the Background (Storyville). A compilation of the late bassist in support of and soloing with Bud Powell, Coleman Hawkins, Svend Asmussen, Ben Webster, Zoot Sims and others. And what support. NHOP was a marvel.

NHOP is the bassist on Thad Jones and the Danish Radio Big Band Live at the Montmartre (Storyville). Recorded during a residency in 1978, before Jones moved to Copenhagen, this CD is packed with his extraordinary arrangements. The ensemble playing is superior. There are solos to match it by saxophonist Jesper Thilo, pianist Ole Kock Hansen, trombonist Vincent Nilsson, and trumpeters Allan Borschinsky and Idrees Sulieman. Jones's only cornet solo--on "Old Folks"--is memorable.

ICP Orchestra, Aan & Uit (ICIP). The bizarre and the beautiful. The irrepressible pianist Misha Mengelberg seems to be the guiding spirit in this project of ten musicians, most of them Dutch, who include the avant garde drummer Han Bennink. Just when you think the hi-jinks are getting out of hand, a gorgeous piece of arranging takes over. Their treatment of Hoagy Carmichael's barely-known "Barbaric" is a highlight. Now zany, now touching, this is music for the open-minded listener with a sense of adventure and a sense of humor.

May 29, 2006 1:04 AM | | Comments (0)

Categories:

Leave a comment

About this Entry

This page contains a single entry by Rifftides published on May 29, 2006 1:04 AM.

Everywhere, Part 3 was the previous entry in this blog.

Everywhere is the next entry in this blog.

Find recent content on the main index or look in the archives to find all content.

AJ Ads

Introducing
AJ Arts Blog Ads

Now you can reach the most discerning arts blog readers on the internet. Target individual blogs or topics in the ArtsJournal ad network.

Advertise Here

AJ Blogs

AJBlogCentral | rss

culture
About Last Night
Terry Teachout on the arts in New York City
Artful Manager
Andrew Taylor on the business of arts & culture
blog riley
rock culture approximately
CultureGulf
Rebuilding Gulf Culture after Katrina
Dewey21C
Richard Kessler on arts education
diacritical
Douglas McLennan's blog
Flyover
Art from the American Outback
Life's a Pitch
For immediate release: the arts are marketable
Mind the Gap
No genre is the new genre
Rockwell Matters
John Rockwell on the arts
Straight Up |
Jan Herman - arts, media & culture with 'tude

dance
Foot in Mouth
Apollinaire Scherr talks about dance
Seeing Things
Tobi Tobias on dance et al...

jazz
Jazz Beyond Jazz
Howard Mandel's freelance Urban Improvisation
ListenGood
Focus on New Orleans. Jazz and Other Sounds
Rifftides
Doug Ramsey on Jazz and other matters...

media
Out There
Jeff Weinstein's Cultural Mixology
Serious Popcorn
Martha Bayles on Film...

classical music
The Future of Classical Music?
Greg Sandow performs a book-in-progress
On the Record
Exploring Orchestras w/ Henry Fogel
Overflow
Harvey Sachs on music, and various digressions
PostClassic
Kyle Gann on music after the fact
Sandow
Greg Sandow on the future of Classical Music
Slipped Disc
Norman Lebrecht on Shifting Sound Worlds

publishing
book/daddy
Jerome Weeks on Books
Quick Study
Scott McLemee on books, ideas & trash-culture ephemera

theatre
Drama Queen
Wendy Rosenfield: covering drama, onstage and off
lies like truth
Chloe Veltman on how culture will save the world
Stage Write
Elizabeth Zimmer on time-based art forms

visual
Aesthetic Grounds
Public Art, Public Space
Artopia
John Perreault's art diary
CultureGrrl
Lee Rosenbaum's Cultural Commentary
Modern Art Notes
Tyler Green's modern & contemporary art blog
Creative Commons License
This weblog is licensed under a Creative Commons License.