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Rifftides

Doug Ramsey on Jazz and other matters...

Archives for May 26, 2006

Kellaway Went Thataway (East)

Terry Teachout’s ecstatic review of pianist Roger Kellaway’s new drummerless trio makes me want to hop a plane to New York. Kellaway has lived in California for years. He is back in The Apple for an engagement at the Jazz Standard.

The three men opened the set with a super-sly version of Benny Golson’s “Killer Joe,” and within four bars you knew they were going to swing really, really hard. So they did, with Kellaway pitching his patented curve balls all night long, including a bitonal arrangement of Bobby Darin’s “Splish Splash” and what surely must have been the first time that the Sons of the Pioneers’ “Tumbling Tumbleweeds” has ever been performed by a jazz group.

To read all of TT’s hymn of praise, go here.
There’s nothing new about Kellaway’s wizardry. It’s just that for a few years his playing took a back seat to his composing and arranging. He came back into the public ear as a pianist with a flourish that coincided with the 2004 film biography of Bobby Darin, for whom Kellaway was once musical director. His solo CD of songs associated with Darin was one of the piano album highlights of last year. If you’re not a Darin enthusiast, don’t worry; you needn’t be to appreciate what Kellaway does with the music. Here’s a bit of what I wrote in Jazz Times about I Was There.

The quality of playing here is so high that it’s difficult to designate one track as an apogee among the performances. I lean toward Berlin’s “All By Myself,” with its headlong swing, orchestral depth and a shout chorus worthy of the Count Basie brass section in the Harry Edison-Buck Clayton days. But, then, “A Nightingale Sang in Berkeley Square” has Kellaway’s flawless runs and arpeggios complementing and commenting on the melody, putting that timeless ballad in a new light.

To read the entire review, go here. Kellaway followed up the solo album with a trio CD of music Darin sang, employing the drastically underappreciated guitarist Bruce Foreman and bassist Dan Lutz. If you’ve been asleep on Roger Kellaway, now’s the time to wake up.

Zenon

The Before & After test I did with Miguel Zenon at the Portland Jazz Festival appears in the June issue of Jazz Times, now on news stands. Here’s a sample of his acute hearing and assessments:

3. Gonzalo Rubalcaba
“Los Buyes” (from Paseo, Blue Note). Rubalcaba, piano; Luis Felipe Lamoglia, alto sax; Jose Armando Gola, electric bass; Ignacio Berroa, drums. Recorded in 2005.
BEFORE: This is Gonzalo Rubalcaba’s group, all Cuban. Luis Felipe Lamoglia is a tenor player, but he sounds great on alto on this tune. It sounds like this is an arrangement of a Cuban traditional song. Great performance. Incredible band.
AFTER: Gonzalo is one of the most original voices on piano over the past twenty years. For me, he’s probably the most impressive pianist I’ve ever seen, in terms of playing the instrument with flawless technique and great sound. He’s one of those guys who can do anything he wants, at any moment. He’ll give you all the technique, but he also has a great feel and sensibility for improvisation.

The complete Before & After will be on the Jazz Times website eventually, with audio samples of the records he heard, but for now you’ll have to be content with the print version.

Doug Ramsey

Doug is a recipient of the lifetime achievement award of the Jazz Journalists Association. He lives in the Pacific Northwest, where he settled following a career in print and broadcast journalism in cities including New York, New Orleans, San Francisco, Los Angeles, Seattle, Portland, San Antonio, … [MORE]

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