Heading South

Friday, I leave for Los Angeles to take part in one of Ken Poston’s Los Angeles Jazz Institute extravaganzas, which are packed with music, films about music, discussions of music and a good deal of laughter. This one is called Jazz West Coast 3: Legends of the West. It gets underway this morning and runs four days. Go here for a schedule and registration information.
The festival, party—or whatever it is—will bring together major figures of Southern California jazz, including Bud Shank, Herb Geller, Johnny Mandel, Chico Hamilton, Paul Horn, Chuck Flores, Buddy Collette, Dave Pell and Howard Rumsey. Among the highlights is an all-star tribute to Shank by bands containing some of the above and Bobby Shew, Mike Wofford and Holly Hoffman, to name a few. I am also looking forward to a rare instance of Johnny Mandel’s conducting a collection of his nonpareil compositions and arrangements for big band, among them pieces from the film I Want To Live.
Sunday morning I will preach about Take Five: The Public and Private Lives of Paul Desmond, and sign copies. Shank and Geller will join me to discuss their fellow alto saxophonist. Bud did an analysis of a Desmond solo for the book. Herb provided information about his and Paul’s early adventures with Jack Fina and later ones in Hamburg.
In addition to seventeen concerts, there will be panels on Charles Mingus, Shank, the fifties in Los Angeles jazz, Art Pepper, West Coast drummers and the history of Mode Records. Not only that, there will be screenings of five films, among them Ken Koenig’s new documentary, The Lighthouse, and glimpses of Laurie Pepper’s work-in-progress about Art Pepper. One of the things I like about Poston’s affairs is that events are sequential. Everyone can see and hear everything, not have to choose among several simultaneous concerts. That’s why these things run four days. What’s not on the program? Bill Holman’s band, but I guess you can’t have everything.
If I get a minute to sit down at the laptop, I’ll post an account or two.