David Liebman, the perpetually searching saxophonist, has been playing festivals all over the world. He emphasizes that he is not complaining, but he is disturbed by the reaction of people attending those high-priced events.
If anything concerning the question of communication is at all relevant, it is for me about the degree of successful interaction between band members. Doing this to the best of our abilities is the mechanism for demonstrating our respect for the audience. Miles used to say when he turned his back, it was to play to the band so they could hear him better.
(Just to be sure we are on the same page, I am obviously talking about the kind of audience that is there to hear jazz by design, not by mistake. In other words, opening for the Rolling Stones for example is just not relevant to this discussion.)
…Therefore when I look out and “vibe” the audiences I have encountered this summer ranging from Los Angeles to Rome to down the road from where I live, it amazes me that so many people can just sit there and not react at all. It seems the bigger the gig and the higher the fee, the more tepid the reaction.
To read all of Liebman’s essay. go to his newsletter, Intervals.





The nonagenarian pianist presented de Barros with every biographer’s hope, unrestricted access to his subject’s personal papers and nearly unrestricted access to her private thoughts. He made the most of it, turning exhaustive research and hundreds of hours of interviews into a true story with the sweep of a novel. From the early discovery of McPartland’s musical gift through her wartime service, her ecstatic and stormy marriage to Jimmy McPartland, her growth as a pianist, her deep affair with Joe Morello, and the radio show that made her a national figure, she has had a fascinating life. It makes a splendid read.
Mulligan’s Concert Jazz Band had three fewer musicians than most big jazz outfits. Its size permitted precision, flexibility and subtlety, yet the band had the power of sprung steel. In this concert from a half century ago, the CJB is as fresh as yesterday. Arrangements by Mulligan, Bob Brookmeyer, Al Cohn and Johnny Mandel set standards to which big band writers still aspire. Bassist Buddy Clark and drummer Mel Lewis inspired Mulligan, Brookmeyer, Conte Candoli, Gene Quill and Zoot Sims to some of the best soloing of their careers. This beautifully produced issue of the complete concert is a basic repertoire item.
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